Demetria Taylor comes by her love of mid-century Chicago blues honestly: She’s the daughter of Eddie Taylor, who rose to fame as a rhythm guitarist with Jimmy Reed You May Also Like: Mike Zito – First Class Life (2018)

by Tom Johnson I have a sort of extra-sensory perception relegated solely to picking up the faint signals thrown off by the arrival of music I want in a music store at a specific location. You May Also Like: Kait Dunton, with John D’earth – ‘Planet D’earth’ (2019) Mark Papagno:Read More

Vaughan dishes a second helping of obscure blues covers with Jimmie Vaughan Plays More Blues, Ballads & Favorites. Fast on the heels of the well-received Plays Blues, Ballads & Favorites from last year, everything great about that record is present on this one: Vaughan’s cropped, cool guitar picking, his smooth,Read More

Because I’ve been steeping myself in rock and folk music all of these years, people are genuinely surprised when I admit that I’m not a lyrics person. I suppose it puts me in the minority of listeners. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and theRead More

by Mark Saleski The opening track of Joey Calderazzo’s Amanecer, for once, gave the listener some insight into where the pianist was headed. You May Also Like: Badfinger’s Joey Molland – The Pilgrim (1992): Forgotten Series Joey Alexander – ‘Origin’ (2022) Joey DeFrancesco, with Pharoah Sanders – ‘In the KeyRead More

Philadelphia-based Mir Stavola pulls off a difficult act on Gypsy Heaven, expertly balancing between two seemingly disparate worlds. She longs for and appreciates the rich cultural history associated with these traveling tribes, but also the ways that this world now encroaches from all sides. You May Also Like: Gypsy, “GypsyRead More

by Tom Johnson This tiny little pop-rock band took something like 8 years off between albums and returned in 2004 with one of those albums that periodically appears on the musical horizon and feels like it’s saving your life. So enveloping was its warmth that it found itself heavily andRead More

“Rikki Don’t Lose That Number” was a Top 5 hit in part because Steely Dan didn’t cut corners – especially when it came to the drummer.

Supertramp was many things over its too-brief period of hitmaking — art-rockish proggers, post-Beatle popsters, kinda-classical rockers, memory-defining radio monoliths. There was much to love as they moved, over the course of the early-1970s to the early-1980s, from the esoteric to the very top of the charts You May AlsoRead More

The deeply talented Laura Ellis gets going quickly on Femme Fatale, as if in midsentence, on the knowing and lightly ribald “I’ve Been Kissed Before.” As she sings a lyric about moving past previous relationships into new adventures, a brightly swinging horn section featuring Terry Harrington and Bob O’Donnell hitRead More