Guitarist John McLaughlin, decades after his audacious late 1960s’ stateside debut with Tony Williams and Miles Davis, has lost none of his power, virtuosity and vision You May Also Like: How John McLaughlin’s First 4th Dimension Album Brought Things Back in Focus John McLaughlin’s Shakti – ‘This Moment’ (2023)

Even though it’s really a dance record, I loved the old-school touches from Groove Collective — like an organ, vibes and a flute (memorably tooted on “Rashaanasong” from this self-titled release). It’s like Basie by way of Bootsy. When the cacophony crescendoes, there’s even the pure fusion expansiveness of turn-of-the-1970sRead More

by Tom Johnson I like to think of Isis as the band that Tool wishes it could be. Call me jaded, but by this time, Tool had become entangled in plots created to baffle and obfuscate rather than intrigue and draw listeners in, being what they think is clever butRead More

Our favorite avant gardist from Japan Satoko Fujii is at it again, releasing at once a new batch of records of distinct character. You May Also Like: Satoko Fujii Orchestra Toyko – Peace (2017) Kaze + Ikue Mori – ‘Crustal Movement’ (2023) Kaze – ‘Unwritten’ (2024)

I wrote a Friday Morning Listen that was a mashup of Joe Jackson, Bruce, Clarence, and Fellini. I was nervous about a bunch of things that day, not the least of which was the health of Clarence. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and theRead More