An underappreciated Dizzy Gillespie record on Verve, includes some s-s-smokin’ thoughts of “Con Alma” — two, in fact. You May Also Like: Dizzy Gillespie and Friends – Concert of the Century: A Tribute to Charlie Parker (2016) ‘Hot House: The Complete Jazz at Massey Hall Recordings’ (2023) Wes Montgomery withRead More

You might say that top-notch jazz pianist Orrin Evans has become a fixture here at SER. It all got started four years ago when we noted his participation in Robin Eubanks’ EB3 unit that made the phenomenal double-CD Live, Vol. 1 of 2007. Early last year we salivated over Evans’Read More

Opening with the old-world charm of an accordian and trumpet, at once lonesome and timeless, Brooklyn-based Katie Costello’s “Isn’t It Lovely” slips into your head like a thief. The whole song has a similar cunning, never going too far yet always beckoning You May Also Like: Animal Logic, “Can YouRead More

Early on, you never heard much piano from Duke Ellington, a grievous thing. It was only in the twilight of his career that this American jazz master regularly consented to taping some shows where his impish wit at the instrument could be heard front and center. You May Also Like:Read More

by Mark Saleski There was a time when the purchase of a new album resulted in yours truly spending an insane amount of time locked into his bedroom, pouring over liner notes while rattling the walls with that most recent vinyl object of my affection. It’s records like this oneRead More

If you were tasked with listing the influences of JazzGuitaristPatMetheny™, some good entries might be Four and More (Miles Davis), Ornette Coleman’s Something Else!!! (Sorry, couldn’t resist), and Smokin’ At The Half Note by the Wynton Kelly Trio with Wes Montgomery. You May Also Like: Pat Metheny – ‘Dream Box’Read More

Their Ocean, ambient then soulful, is one of those amalgams that sounds instantly recognizable, yet completely new. The Chicago-based psychedelic R&B/indie rock group has described itself as “a cross between Hall and Oates and Arcade Fire, if they were friends with the Soulquarians.” As funny as that sounds, it’s aboutRead More

by Derrick Lord Occasionally jazz and blues fans need to be reminded that we don’t have to limit ourselves strictly to musical recordings. Keep in mind there is plenty of great artwork available that would be a nice addition to any collection or music room. You May Also Like: NoRead More

Pretty much for the last twenty years, there have been two types of Monty Alexander records: one that features exuberant, evocative mainstream New York jazz and one that showcases Alexander’s unique Jamaican-styled jazz. Earlier this year, the Kingston piano great released the straight-up jazz trio live chronicles Uplift, a tremendousRead More

by Mark Saleski Superfluous. Meaningless. Pointless. Redundent. Obligatory. No, I haven’t been playing with my thesaurus. These are just some of the words that are often used to describe live recordings. You May Also Like: How Tesla’s ‘Real to Reel’ Set Redefined the Classic Rock Cover Album