Bill Champlin on ‘Hard Habit to Break’ ‘After the Love Has Gone’ + others: Gimme Five
Bill Champlin discusses his contributions to Chicago, working with Toto, and how lounge-singer Robert Goulet almost got one of his gigs.
Bill Champlin discusses his contributions to Chicago, working with Toto, and how lounge-singer Robert Goulet almost got one of his gigs.

by Mark Saleski Some musicians have the ability to transcend their physical talents to put on display their thought processes, a sort of direct conduit between the hands and that mysterious inner pool of music. Or … in Keith Jarrett’s case, the lack of thought You May Also Like: KeithRead More

by Tom Johnson Who knew Low would crank things up like they did with 2005’s The Great Destroyer, their Sub-Pop debut? Were they holding back all those years, or did the label urge them to do something different? Whatever it was, it worked against every notion fans had when wordRead More

Bill Champlin, who co-founded the Bay Area’s Sons of Champlin, is perhaps best known for a nearly three-decade tenure in Chicago.

by Mark Saleski Wow, sometimes you just stumble onto a little gold. Jae Sinnett’s kit work manages to channel bits of my favorite drummers (Jeff Watts, Tony Williams) while retaining his own thing. It’s very inspiring to be witness to a player who can muster great power when necessary andRead More

To get you ready for the Concord Music Group’s deluxe June 14 reissue of Paul McCartney’s 1970 solo debut McCartney as well as 1980’s McCartney II, here’s a new remastered audio stream of “Coming Up” You May Also Like: Paul McCartney, “Check My Machine” (1980): One Track Mind

Last year, the outlaw chamber music cooperative Anti-Social Music did something that was out of the ordinary for a democratic cooperative and presented songs only by of its thirteen members, Pat Muchmore. But there has never been anything ordinary about ASM to begin with. In one sense, you can callRead More

by Mark Saleski Some people really have the wrong idea about jazz. They think that most of it falls into two very broad categories: traditional, where guys in suits play an introductory theme before taking turns soloing over the developed chord changes; and avant-garde, also known as “cats-on-piano” jazz, whereRead More