by Tom Johnson
Bob Marley’s son did this one without the Melody Makers to make an album less about being reggae and more about music. Ziggy seems to find some influence in the Dave Matthews Band, as many songs feature passages that could easily have been played by the DMB and would easily appeal to fans of their laid-back groove. Oddly enough, after many attempts to distance himself, Ziggy sounds more like his dad than ever before. The first half of the album is some of his strongest material, but unfortunately the second half falls a little flat as everything begins to sound alike.
‘Half Notes’ are quick-take thoughts on music from Something Else! Reviews, presented whenever the mood strikes us.
[amazon_enhanced asin=”B00006CYB2″ container=”” container_class=”” price=”All” background_color=”FFFFFF” link_color=”000000″ text_color=”0000FF” /]
- How David Bowie’s ‘Reality’ Stood Out For What It Was Not - September 29, 2023
- Metallica’s ‘St. Anger’ Was Always Much Better Than They Said - June 8, 2023
- How King Crimson Defined an Unsettled Post-9/11 Landscape on ‘Power to Believe’ - March 5, 2023