by Mark Saleski Captain Beefheart died yesterday at the age of 69. The reclusive musician and visual artist has been missed by his fans for many years, and now we feel that absence even more. For many year, Captain Beefheart (Don Van Vliet) was a part of my life evenRead More

Nobody plays it like Buddy, as his Living Proof testifies. by Pico This part of the Year End series is typically the shortest, and not because there’s less excellent blues and roots records than other kinds of music, but because I regrettably have little time leftover to delve into theseRead More

by Nick DeRiso On Triangulation, Boston-based guitarist Mitch Seidman has complete command of both the bebop R&B fission and the gentlemanly poise of early idol Kenny Burrell. That means tunes of lyrical strength and technical skill, linked by this remarkable ability to blend seamlessly with his fellow musicians across aRead More

We begin this series by covering the kind of music most music critics cover when making lists: the Great Mainstream.

Photo by Autumn de Wilde by Mark Saleski It’s that time of year again. The time when you’re afraid to go into that store, afraid to watch the television, afraid to turn on the radio — for fear of hearing “Jingle Bell Rock.” Or “The Christmas Song.” Or “Grandma GotRead More

What kind of a year was it for music? It was so good that very often, I had a tough time figuring out what to listen to next. The proper cliché to be applied is “an embarrassment of riches.” Not only was it a great year for music, it wasRead More

Photograph by Clayton Bozard by Nick DeRiso Haley Dreis likes to fiddle with expectations. You wouldn’t expect a classically trained violinist to dabble in pop music. And you wouldn’t expect the self-confident nuance of “All For You” from someone who only began writing mainstream songs three years ago. Yet sheRead More

by Pico Like mistletoe and egg nog, the “Best Of” lists has become a holiday tradition here. 2010 has been a very good year at Something Else, and not just because we got to listen to a lot of swell tuneskis: we added to our ranks someone whose writing we’veRead More

Lucinda Williams brings a brave, riveting vulnerability to Essence — and, for me, it’s her masterpiece. Yet you are more apt to find it in the cutout bin at a big-box department store than at the top of most people’s desert-island lists. Perhaps the sensual melancholy of Essence was tooRead More

by Mark Saleski One way to define a categorical number line of female jazz vocalists would be to put artists like Ella Fitzgerald (full of insistent smolder, fire & brimstone) at one end, and balance that with voices of pure subtlety at the other — Billie Holiday, Shirley Horn, andRead More