Archive for November, 2010

Vinyl

Half Notes: Jamiroquai – Rock Dust Light Star (2010)

Jason Kay has slowed down the pace of Jamiroquai new album releases, and Rock Dust Light Star was the group’s first since Dynamite five years ago. Nothing has changed much with the music, and since this band has long ago perfected its style of acid-jazz and retro disco, there’s noRead More

Vinyl

Buddy Guy – Living Proof (2010)

Buddy Guy is a great, living blues legend who can still play guitar and sing as well as he’s always has. But his albums of late have been inconsistent. In the case of his last album, Skin Deep (2008), all the guest appearances diluted that hard-driving Chicago electric blues sound,Read More

Vinyl

Half Notes: Benjamin Herman – Hypochristmastreefuzz Special Edition (2008)

by S. Victor Aaron The nattily-dressed alto-sax player from the Netherlands, Benjamin Herman, released Hypochristmastreefuzz in 2008, following up on his 2001 live album with the great Dutch avant garde composer Misha Mingelberg with a studio album of Mingelberg tunes. These sessions are released again in 2010, but supplemented withRead More

Vinyl

Sister Sparrow and The Dirty Birds (2010)

by Mark Saleski “…The disgusting stink of a too-loud electric guitar: now that’s my idea of a good time.” Ah yeah, tell it Mr. Zappa! One of my all-time favorite quotes concerning the instrument, Frank wasn’t proclaiming the guitar the king of instruments so much as noting that it’s theRead More

Vinyl

Elvis Costello – National Ransom (2010)

This Costello disc followed up the simple, organic country-folk of 2009’s Secret, Profane And Sugarcane. The personnel (the Sugarcanes), including red-hot producer T Bone Burnett, carries over but only a little of the music does. National Ransom, which also includes the Imposters as well as Vince Gill, Marc Ribot, BuddyRead More

Vinyl

Half Notes: Joe Morris – Camera (2010)

by S. Victor Aaron Last year’s Colorfield was Joe Morris’ convincing debut for ESP-Disk. This year’s follow-up follows the same strategy of going without a bass (an instrument that he, ironically, is very proficient at), but instead of piano this time, there’s a cello (by Junko Fujiwara Simons) and violinRead More

Vinyl

Atomic Skunk – Portal (2010)

by Mark Saleski “Subtlety” is not a word to be used lightly in a music review, mostly because it’s likely to scare off the listener before even a single particle of the music has entered their ear parts. The sad fact is that “subtle” and “entertaining” are often thought ofRead More

Vinyl

Otis Rush, "Live in Europe" (1993)

By Nick DeRiso Otis Rush is the star-crossed guitar god, always in the right place at the wrong time. Close but no rock star. That despite his role as a principal architect of the modern Chicago blues-guitar vernacular, and a memorably emotional style of singing that echoes some of theRead More