by S. Victor Aaron Not the bass player for Aerosmith, but a musician named “Tom Hamilton” with a more ambitious calling. For more than forty years, the nonpop New Music composer and performer Hamilton has treated music as a laboratory for experimentation, and a pioneer of using electronics for anarchistic,Read More

by Pico Rufus Reid has never had the flamboyant, edgy comportment of, say, Charles Mingus, but for decades now, he’s been a first-call bassist for many of the finest jazz (and even non-jazz) musicians. Making his way to the top level of bottom pluckers via stints in the Thad Jones-MelRead More

by Nick DeRiso Bassist Charles Mingus, an enlightening yet stormy presence, clearly felt he had unfinished business with some of his earlier work. So, he used “Mingus Mingus Mingus Mingus Mingus” and a move to the more creatively open Impulse! label to take another pass at them. That turned intoRead More

by S. Victor Aaron When I heard Joe Higham’s wonderfully diverse world fusion treat Where Are We Now? last year, I became suspicious that the Low Countries might be a magnet for out-the-box thinking for jazz players. Listening to Eric Vloeimans and his Gatecrash’s new release Heavensabove! just confirmed thoseRead More

by S. Victor Aaron You know the story: a band goes in the studio to records tracks for an album and finds they recorded more than what they needed for that record, so they leave one or two tracks off of it. You’ve also seen this play out: a majorRead More