by Pico Maybe you’ve noticed the trend and maybe you haven’t, but there sure seems to be a whole lot more of the fairer sex among up-and-coming jazz players. I’ve found myself covering a lot more jazz records by female artists lately, and it hasn’t been by design; there areRead More

by S. Victor Aaron So let’s see… The saxophonist has played for such big names in jazz, soul and pop such as Nile Rodgers, The Crusaders, Aretha Franklin, Mike Stern, Dave Liebman and The Temptations. Eleven of his own records have appeared on the music charts. The trumpet player hasRead More

photo: Nitin Vadukal by S. Victor Aaron Yesterday marked the release of Stefon Harris’ seventh album, the urban-minded Urbanus. As this is the second album with his hip-hop/r&b/jazz vehicle Blackout, Urbanus marks the true follow-up to 2004’s Evolution (African Tarantula from 2006 was a delightful little excursion into Duke Ellington).Read More

by S. Victor Aaron As one of the seminal jazz-rock bands of the seventies, Weather Report has been plenty celebrated and covered. And yet, most of the recognition covers the 1976-1982 period in which the groundbreaking bassist Jaco Pastorious was in the band. Truth is, WR was a great bandRead More

by Pico This site had its beginnings, believe or not, as a blues-oriented site. These days we’re ten times more likely to cover jazz than we are the Blues, but there’s nonetheless twenty-three entries in the Blues category so far this year. We’ve covered everything from soul-blues and blues-rock newRead More

by Pico Greatness begets greatness. That is almost universally true in jazz, where so many of the best players of a generation got their start playing for the best players of a prior generation. Miles Davis is one the best examples of a major figure to whom many other majorRead More

You made out to Al Green. It’s what worked. Only later, did you realize all that had gone on in those records, starting with this — Green’s first charting hit, “Tired of Being Alone.” His is a voice that whips around, like a sparrow, from flat-footed baritone — all silky-smoothRead More

by Pico Jazz is special kind of art because it’s not an art that’s put on display in a museum; rather, it’s an art that comes alive and evolves in the small clubs in cities around the world. That’s especially true, of course, in New York City, and like countlessRead More

photo: Haakon Harriss by Pico John Surman may not be a household name on these American shores, but it’s hard to think of a sax guy out of Britain who has been more prolific over the last 40 years than this one. His own discography is a wide sweep overRead More

by Nick DeRisoThough Jimmy Smith is the principal voice of the Hammond B-3 in jazz, finding an entry point in his long discography can be difficult. Some might argue for 1956’s “At the Organ,” featuring Cedar Walton, Pepper Adams and Chick Corea. For me, though, that one doesn’t pop withRead More