Released in the time immediately following the Woodstock basement recordings (which wouldn’t see the light of day ’til the dawn — or is that yawn? — of disco), Bob Dylan goes twangy — and with resounding success. Folksy, without too much folk. “Rolling Stone” said “John Wesley Harding” helped setRead More

by S. Victor Aaron I was trying to get mentally prepared to actually describe a Charlie Hunter record when on a whim I decided to cue up GB’s The Other Side Of Abbey Road. That got me to thinking about Nick’s piece on the best Beatle remakes (hey Nick, IRead More

by S. Victor Aaron So you’re looking at the album cover just to the left and guessing that it’s a vintage children’s record intended to cash in on the hit mid-sixties series starring Adam West and you would be right. But there was no such band as “The Sensational GuitarsRead More

by S. Victor Aaron The critics all declare Exile On Main Street to be The Rolling Stones’ magnum opus. Yeah, it’s a great album alright but for my money, I’ll take the one right before it, Sticky Fingers, anyday. From the sass of “Brown Sugar” to the gentle country ofRead More

As noted, a “leak” of some new Dylan tracks from his own record label (ahem) got me back into the stacks – and back into Bob. We’re mixing and matching here, old and new, relevant and pee-yew. That’s Dylan for you … raising our sights, but occasionally frustrating our desires,Read More

Public Broadcasting always delves into its musical archives, come pledge-drive time, and this week was no different. The local station presented an edited version of “The Concert for Bangaladesh,” the early 1970s proto-benefit show organized by Beatle buddy and future Wilbury bandmate George Harrison – and it was a specialRead More