Billy Sherwood’s future impact on Yes comes into focus with “The More We Live – Let Go,” his first collaboration with Chris Squire.

Another collaboration between Anderson Bruford Wakeman Howe and Yes producer Jonathan Elias is torpedoed by questionable decisions.

The first two minutes of “Miracle of Life” are pure prog joy. Then, as with so much of Yes’ pieced-together 1991 album ‘Union,’ something goes wrong.

“Saving My Heart” from 1991’s ‘Union’ found Yes looking over the precipice of their career – and deciding to jump.

Yes barely appears on “Without Hope You Cannot Start The Day,” which was completed by Jon Anderson from a sketch by producer Jonathan Elias. It’s a shame.

Producer Trevor Rabin scales back some of the excesses from 1987’s ‘Big Generator,’ creating a Yes song with Chris Squire that boasts a socially relevant theme.

While it’s good, Yes’ Steve Howe-played and -produced “Masquerade” seems like an unusual song to receive a Grammy nomination.

“Shock to the System” almost seems like a leftover from Yes’ ‘Big Generator’ era, instead of a tune begun by Anderson Bruford Wakeman Howe.

“I Would Have Waited Forever” kicks off a pieced-together so-called collaboration with four former key members, but they never actually played with Yes in the studio.

Perhaps with different sonic sensibilities, Yes’ “Holy Lamb (Song for Harmonic Convergence)” could have been great.