Preston Frazier discusses Billy Sherwood’s best contributions to prog and pop, both with Yes and with stars like Paul Rodgers and William Shatner.
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Jon Anderson and Trevor Rabin discuss the creative process that led to Yes’ deeply underrated ‘Shoot High, Aim Low,’ released as a single on Dec. 31, 1987.
As 2014 began, I pledged to go to fewer concerts. Instead, as my Best of 2014 shows, I saw great moments from St. Vincent, Seth Walker, Yes, and others.
Roger Hodgson collaboration represents road not taken for Yes: ‘One of those things that fizzled out’
“Walls,” released as a single on Dec. 25, 1994, found Yes collaborating with Roger Hodgson of Supertramp fame. What if he’d become their lead singer?
Steve Howe has crafted a legendary career with his hands, and he takes that very seriously, indeed.
Billy Sherwood talks about the role he played in smoothing Yes’ sometimes-difficult transition from Trevor Rabin back to Steve Howe.
Peter Banks Empire is a lost treasure from a time when prog badly needed something to restore its creative momentum.
We go in depth on one of Yes’ most inventive albums, ‘Relayer.’ Released 40 years ago today, it now represents a road not taken.
A Yes pre-cursor group, Mabel Greer’s Toyshop has returned — with a whole new set of connections to the legendary prog amalgam.
Released 17 years ago today, ‘Open Your Eyes’ ended up as one of Yes’ late-period orphans. It’s time to open your ears.