Post Tagged with: "Women of Jazz"

Kosi – Pictures of Us (2014)

This is an album of beauty – authentic, and from the heart.

One Track Mind: Nancy Wilson with DIVA, “All My Tomorrows” from A Swingin’ Life (2014)

One Track Mind: Nancy Wilson with DIVA, “All My Tomorrows” from A Swingin’ Life (2014)

She remains a wonder of range and sassy interpretation.

Violette – Falling Strong (2014)

Violette fits into no easy category, no pre-set box.

Syrinx Effect – Snail Songs EP (2014)

Snail Songs by Syrinx Effect Creating soothing, soulful sounds can come from an endless combination of sources, and Seattle’s New Music duo Syrinx Effect does it with just a trombone and a soprano saxophone.

Sam Boshnack Quintet – Exploding Syndrome (2014)

From the same lively, progressive jazz scene in Seattle that’s brought us Paul Rucker, Cuong Vu and the various “tet” bands (Reptet, Triptet and Hardcoretet), Samantha “Sam” Boshnack is the fast-rising star of the bunch.

Sarah Manning – Harmonious Creature (2014)

Four years ago, up-and-coming alto saxophonist Sarah Manning marked her arrival to the NYC scene with her first album with Posi-Tone, Dandelion Clock (2010), and it made waves.

Exclusive stream: Helen Sung, “Brother Thelonious” from Anthem For A New Day (2014)

A past winner of the Mary Lou Williams Piano Competition, Helen Sung knows her way around eighty-eight keys, and after five well-received albums, this NYC residing, Houston, Texas native is bringing her talents to the Concord Music label.

Jane Ira Bloom – Sixteen Sunsets (2014)

Jane Ira Bloom is a most adventurous soprano saxophonist, but sometimes even those musicians who thrive on the edge feel a need to go back to a simpler time when the beauty of a melody was paramount

Taeko Fukao – Wonderland (2013)

Perhaps the most captivating out of many captivating things found on Taeko Fukao’s Wonderland is the choices the Japanese-born, New York-based songstress makes.

Karrin Allyson – Yuletide Hideaway (2013)

Some Christmas songs, you don’t mess with. It’s perfectly fine to take “Winter Wonderland” at an unusually contemplative pace, and to update “Let It Snow” with a B-3. But Karrin Allyson plays it straight — as she must — with Charlie Brown.