Dirty Baby wasn’t Nels Cline’s first 2010 release and Initiate wasn’t even the first Nels Cline Singers 2010 release. That came on March 1, when the Singers got together with the free jazz saxophone quartet Rova to collaborate on an album recorded in 2008, The Celestial Septet. Though both bandsRead More

by S. Victor Aaron I’ve always had a hard time distinguishing West Coast jazz from East Coast jazz by ear. I mean. I know it’s supposed to be a more smoothed-out “cooler” variant of the vigorous, sometimes jarring jazz that comes out of NYC and I know that guys likeRead More

by S. Victor Aaron After all the whack jazz winners I’ve heard from Engine Studios, I’ve come to expect nothing but excellence whenever I pop in a CD from that label for the first time, and I’ve yet to be disappointed. Label head and producer Steven Walcott signs up creative,Read More

by S. Victor Aaron Like Jason Stein, Gutbucket co-founder Ken Thomson is a bass clarinetist — he’s an alto saxophonist, too — and both like to play along the margins of jazz, but Thomson’s conception of music freely spills over into other styles as well. His latest project, Ken ThomsonRead More

by Mark Saleski Time to return to one of my favorite topics: Why do I like that? Have you ever engaged in this kind of self-debate? There are all sorts of ways to play. There’s the Top-40 angle: “Come On Eileen…Bawitdaba!? Hmmm…I better not tell anybody,” the Angle of PureRead More

by S. Victor Aaron Since at least the fifties, many a jazz musician have made records of their live gigs at festivals. Some of the largest and most enduring ones have been a favorite location for cutting a record: Newport, Montreaux, Monterrey, North Sea and so on. And then there’sRead More

by S. Victor Aaron I don’t pay a great deal of attention to what other jazz critics say about records as I probably should; chalk it up to laziness, I suppose. But even my lazy ass couldn’t help but notice all the interest in media circles buzzing around guitarist MaryRead More

by S. Victor Aaron About this time last year Henry Threadgill ended a eight year hiatus from the recording studio and released This Brings Us To, Vol. 1. It was very well received, and made almost everyone’s year-end “best of” jazz albums for 2009, including ours. On one day shortRead More

by S. Victor Aaron Washington, D.C.’s Matta Gawa’s self-described “cinematic chunks of post-hardcore improvised sound” is, however else you might describe it, standing apart from the main body of whack jazz. Sounds created from more than forty guitar pedals generating loops, sample, octave altering, various synthesized noise effects created andRead More

That drummer Scott Amendola must like a lot of the same kind of music that I do, because his name comes up in the credits list of plenty of records that I enjoy. A lot of that has to do with his close association with Nels Cline and being theRead More