I had this discussion about jazz with a friend of mine once. He really couldn’t deal the sound of a full-bore, large-scale ensemble
Post Tagged with: "Whack Jazz"
One of the more distinctive and convincing points made by Ted Gioia in his definitive chronicle of jazz, The History of Jazz (1997, rev. 2011, Oxford University Press) is about the under-credited impact pianist Lennie Tristano made
As an aside within my review of Steve Raegele’s mind blowing debut album Last Century I went into the bands Raegele had participated in and noted “I can’t say I’ve heard of these names previously
Machine Mass Trio has constructed a mesmerizing, moving carpet of boisterous sax, knifing guitars and boiling rhythms on the electronics-laden As Real As Thinking. There is always, always something happening here, as MMT skitters with determined focus between the melodic, the moody and (to great effect) the outside. Much of the album feels organic, as if the songs were developedRead More
An astonishing thing to witness when viewing Fred Anderson’s live performance on DVD, 21st Century Chase, was the sight of a guy celebrating his 80th birthday splaying notes from his saxophone with abandon, power and purpose. And then, when he finished his solo, witnessing a dude only six years his junior doing the same.
That Sidony Box, a French trio, has chosen to explore jazz rock is anachronistically interesting enough. But they’re doing it without the musical GPS of a bass — something that allows guitarist Manuel Adnot, drummer Arthur Nancy and saxophonist Elie Dalibert to wander around these wide open spaces. What they find is a rugged landscape: Principal composer Adnot (he wroteRead More
About a year ago saxophonist Greg Ward was leading a quartet that was preparing to do a recording session for a jazz radio station when the pianist was unable to make it.
There’s a trance-like euphoria surrounding this emotional, at times indescribably spiritual endeavor. Rez Abbasi, leading a group that also includes Rudresh Mahanthappa and Vijay Iyer, found inspiration for Suno Suno from Pakistani Qawwali, a devotional Sufi music
When taking in Julian Lage’s uniquely poetic Gladwell earlier this year, I sensed something uncommonly creative about Lage’s saxophone player, Dan Blake, and his ability to blend in flawlessly with a cello and play music that reconciled jazz and folk and classical music. He even contributed music that fit perfectly into this eclectic formula, with “However.”
Members of Baltimore improv music combo Turn Around Norman have been around a lot of jazz greatness: Tim Berne, Michael Formanek, Craig Taborn, Gerald Cleaver, Dave Douglas and Darcy James Argue are but a few of the big shots members in this ensemble have performed and recorded with.