Our favorite avant gardist from Japan Satoko Fujii is at it again, releasing at once a new batch of records of distinct character.
Post Tagged with: "Whack Jazz"
It’s got a cool looking cover, the names on that cover are all giants in the improvised music field, and the rapport is what you’d expect from free jazz pros like these. Those attributes in itself will probably get Planetary Unknown on some year-end lists and it’s already one at least one half-year one. But aside from Ware/Ali “Duality IsRead More
Everybody digs Nicole Mitchell. They love her in sweet hometown Chicago and all the critics in New York love her, too. Heck, even we discerning types at SER have taken a shining to her. She’s the consensus top flautist in the jazz world, she’s got a new record out, Awakening, and there’s no way I’m going to ignore it. OnRead More
It used to be that when we used the term “punk jazz,” we were referring to Jaco Pastorius. Let’s face it, the man was a jazz bass revolutionary.
Tim Kuhl’s website greets visitors with a set of simple sentences describing who he is: “Drummer+Composer,” followed by “Bandleader, Sideman, Collaborator, Noise Maker, Rocker.” Tim is succinct and up-front about describing himself, but the term that’s most telling — aside from the obvious “drummer+composer” part — is “Noise Maker
Like the most artistically successful avanteers such as Mingus, Kirk and Braxton, the German composer, arranger and pianist Heiner Stadler fully understands, appreciates and loves the more traditional forms of jazz
by Mark Saleski If they had a jazz big band playing on that old TV show “Lost In Space,” this would be the one. Take a sort of big band lineup, but then mix in some 1960’s spacey keyboards and some truly wacky vocals. Sun Ra and his Arkestra were the Grateful Dead of their day. ‘Half Notes’ are quick-takeRead More
by Mark Saleski Sorta like Lou Reed’s Metal Machine Music, Pat Metheny and Ornette Coleman’s Song X has long been a strange attractor for all sorts of hyperbole, rumor-mongering and dismissal.
Last fall, we saluted the arrival of a new Richard Pinhas CD, Metal/Crystal, one that supplemented his trio with fellow experimentalist warriors Merzbow and Wolf Eyes.
Boston-based guitarist Eric Hofbauer penned the liner notes to his new album out today, Level, beginning it with the testimony that “the music on Level … explores the human condition using sound to tell stories