by Mark Saleski If they had a jazz big band playing on that old TV show “Lost In Space,” this would be the one. Take a sort of big band lineup, but then mix in some 1960’s spacey keyboards and some truly wacky vocals. Sun Ra and his Arkestra were the Grateful Dead of their day. ‘Half Notes’ are quick-takeRead More
Post Tagged with: "Whack Jazz"
by Mark Saleski Sorta like Lou Reed’s Metal Machine Music, Pat Metheny and Ornette Coleman’s Song X has long been a strange attractor for all sorts of hyperbole, rumor-mongering and dismissal.
Last fall, we saluted the arrival of a new Richard Pinhas CD, Metal/Crystal, one that supplemented his trio with fellow experimentalist warriors Merzbow and Wolf Eyes.
Boston-based guitarist Eric Hofbauer penned the liner notes to his new album out today, Level, beginning it with the testimony that “the music on Level … explores the human condition using sound to tell stories
Remember last month when I said I have more examples of weird-assed trios coming up? Here’s another one. Inspired by the long running Ray Anderson-led BassDrumBone trio, Brainkiller has Brian Allen manning the trombone and Hernan Hecht on drums, but substitutes the bass for keyboards and effects by Jacob Koller.
Three of the most gifted improvisers in free jazz today released this week a studio follow-up from their well-received 2009 live debut. As fellow giants of the NYC downtown scene, William Parker, Craig Taborn and Gerald Cleaver know each well musically and personally (as noted before, Cleaver and Taborn go way, way back). That means that whenever they put theirRead More
by Mark Saleski I have to purchase my Peter Brötzmann only very occasionally because it takes a while to get over the blatant intensity. Recorded at the Molde International Jazz Festival, this is really what European improvised jazz is all about. Well, maybe not all, but certainly a side of it. You know how some folks will characterize slower musicRead More
The music of Wadada Leo Smith, no matter the setting, is spiritual, mesmerizing, purposeful and often dense. We found out back toward the end of ’09 just how dense his music can be
Three of the larger figures in the downtown New York avant jazz scene, Jim Black, Nels Cline and Tim Berne, joined forces a couple of years ago to form a trio that find the intersection where the three thrive in.
Listening to Allison Miller’s superb CD from last year Boom Tic Boom, I appreciated how it covered a lot of ground within advanced modern jazz, helped along by such sympathetic supporting players in this piano jazz trio. But that album still left me wondering where this ace drummer, composer and bandleader was going to head next. Perhaps Miller herself didn’tRead More