It used to be that when we used the term “punk jazz,” we were referring to Jaco Pastorius. Let’s face it, the man was a jazz bass revolutionary.
Post Tagged with: "Whack Jazz"
Tim Kuhl’s website greets visitors with a set of simple sentences describing who he is: “Drummer+Composer,” followed by “Bandleader, Sideman, Collaborator, Noise Maker, Rocker.” Tim is succinct and up-front about describing himself, but the term that’s most telling — aside from the obvious “drummer+composer” part — is “Noise Maker
Like the most artistically successful avanteers such as Mingus, Kirk and Braxton, the German composer, arranger and pianist Heiner Stadler fully understands, appreciates and loves the more traditional forms of jazz
by Mark Saleski If they had a jazz big band playing on that old TV show “Lost In Space,” this would be the one. Take a sort of big band lineup, but then mix in some 1960’s spacey keyboards and some truly wacky vocals. Sun Ra and his Arkestra were the Grateful Dead of their day. ‘Half Notes’ are quick-takeRead More
by Mark Saleski Sorta like Lou Reed’s Metal Machine Music, Pat Metheny and Ornette Coleman’s Song X has long been a strange attractor for all sorts of hyperbole, rumor-mongering and dismissal.
Last fall, we saluted the arrival of a new Richard Pinhas CD, Metal/Crystal, one that supplemented his trio with fellow experimentalist warriors Merzbow and Wolf Eyes.
Boston-based guitarist Eric Hofbauer penned the liner notes to his new album out today, Level, beginning it with the testimony that “the music on Level … explores the human condition using sound to tell stories
Remember last month when I said I have more examples of weird-assed trios coming up? Here’s another one. Inspired by the long running Ray Anderson-led BassDrumBone trio, Brainkiller has Brian Allen manning the trombone and Hernan Hecht on drums, but substitutes the bass for keyboards and effects by Jacob Koller.
Three of the most gifted improvisers in free jazz today released this week a studio follow-up from their well-received 2009 live debut. As fellow giants of the NYC downtown scene, William Parker, Craig Taborn and Gerald Cleaver know each well musically and personally (as noted before, Cleaver and Taborn go way, way back). That means that whenever they put theirRead More
by Mark Saleski I have to purchase my Peter Brötzmann only very occasionally because it takes a while to get over the blatant intensity. Recorded at the Molde International Jazz Festival, this is really what European improvised jazz is all about. Well, maybe not all, but certainly a side of it. You know how some folks will characterize slower musicRead More