Matt Steckler’s Dead Count Bounce is a band that within the parameters of traditional jazz seeks new musical directions
Post Tagged with: "Whack Jazz"
Drummer and composer Tyshawn Sorey is said to one of up-and-comers whose due for an arrival. Gaining notice as a member of Steve Coleman’s Five Elements, Steve Lehman’s combo as well as Pete Robbins’ sILENT Z, Sorey’s also studied under Anthony Braxton and is currently studying under George Lewis. But he’s not waiting to finish his studies to make hisRead More
Little Worlds is another one of those oddly configured trios that’s been popping up lately in jazz, but there is nothing gimmicky sounding from this guitar (Ryan Mackstaller), trombone (Rick Parker) and drums (Tim Kuhl) getup. With all three of these musicians being veterans of rock, jazz and whack jazz, Book One is a great combination of all three musicRead More
One of the busiest players in Chicago’s jazz/improvised music scenes, the name of vibist and composer Jason Adasiewicz always seems to come up
I’m a sucker for odd instrumentations, which is one of the reasons why I’m drawn to progressive and whack jazz. Listening to strange timbres that come from instruments coming together that aren’t usually combined tends to perk my ears up, trying to solve the puzzle of the sonic conundrum. It helps when the players put it together in a stimulatingRead More
I had this discussion about jazz with a friend of mine once. He really couldn’t deal the sound of a full-bore, large-scale ensemble
One of the more distinctive and convincing points made by Ted Gioia in his definitive chronicle of jazz, The History of Jazz (1997, rev. 2011, Oxford University Press) is about the under-credited impact pianist Lennie Tristano made
As an aside within my review of Steve Raegele’s mind blowing debut album Last Century I went into the bands Raegele had participated in and noted “I can’t say I’ve heard of these names previously
Machine Mass Trio has constructed a mesmerizing, moving carpet of boisterous sax, knifing guitars and boiling rhythms on the electronics-laden As Real As Thinking. There is always, always something happening here, as MMT skitters with determined focus between the melodic, the moody and (to great effect) the outside. Much of the album feels organic, as if the songs were developedRead More
An astonishing thing to witness when viewing Fred Anderson’s live performance on DVD, 21st Century Chase, was the sight of a guy celebrating his 80th birthday splaying notes from his saxophone with abandon, power and purpose. And then, when he finished his solo, witnessing a dude only six years his junior doing the same.