Anyone who was a fan of their dangerously debauched brand of college rock, so long gone now, would have thought that chances of the Replacements getting back together were roughly the same as the odds they’d cover a Gordon Lightfoot song.
Post Tagged with: "We used to call this alternative"
Dimly foreboding, funereal in the most intriguing of ways, Depeche Mode’s new single “Heaven” moves with a delicious deliberateness. It’s all atmosphere, all feel, completely enveloping.
Check out an exclusive advance stream of “Anyway,” from Chris Stamey’s upcoming album Lovesick Blues, due on February 5, 2013 from Yep Roc Records.
[youtube http://www.youtube.com/watch?v=gPPscelHVhA&w=500&h=305] All you need to know, really, about Irish punk rockers Pogues is right in their name, taken from a Gaelic phrase meaning “kiss my arse.” Confounding expectation, they played softly as often as they played loudly
There is a majestic weirdness to Camper Van Beethoven, recaptured in all of its freak-flag glory on La Costa Perdida, their first studio effort in some eight years.
[youtube http://www.youtube.com/watch?v=guYfC7AC4zA&w=500&h=305] If you grew up a fan of live music in or around Louisiana in the late 1980s or early 1990s, you knew, without a doubt, that Dash Rip Rock was going to be huge one day.
[youtube http://www.youtube.com/watch?v=BauiMlA0VVo&w=500&h=305] Long time fans won’t necessarily hear new things from Yo La Tengo on Fade, and yet it feels like a huge leap forward for these ageless indie-rock favorites.
Chris Stamey, up until recently, hadn’t issued a new long-player since he worked with Yo La Tengo on 2005’s A Question of Temperature, and last recorded a full album with his old band the dB’s in 1982.
It figures, amidst the 1980s’ buttoned-down conservatism, that the ’50s would become talismanic — and that the Stray Cats would be such big hitmakers. Yet, a new Eagle Rock concert DVD makes it clear there’s still something to be learned from those rockabilly-loving post punks.
It wasn’t quite as nihilistically put out as punk, so it had little credibility there. It wasn’t sweetly composed enough to connect with pop fans, either.