Think Kinks-style melodies goosed along by the flippant energy of the Clash, with Dylan-esque level narratives skittering over the top, and you have the D.C.-based Kingsley Flood. Stream a track from their new release Battles here!

Even today, more than a decade after discovering Eva Cassidy, listening to her music always brings me an unshakable tinge of melancholy that accompanies the joy and wonderment from hearing her unbelievably perfect voice.

When it comes to boy/girl musical acts, there’s nothing typical at all about Washington, D.C.-based duo Janel & Anthony. They don’t sing, they don’t play jazz, they sure as hell don’t play pop

Longtime reedman Bill Barner has played it all in his career: Dixieland, free jazz, bop, Latino music, fusion jazz, and on and on.

If you resided in the Washington D.C. area in the 1960s and attended shows, you probably remember the Mad Hatters and the Fallen Angels, as they regularly played the local circuit.

Once again, the Colorado-based Gear Fab label pays a visit to the rock ‘n’ roll graveyard, and in the process unearths an album so ghastly obscure that even the members of the band behind the project have apparently vanished

There’s something odd I noticed about this record from the opening moments: there’s a piano on it. Why is that so bizarre you ask?

Washington D.C. percussion specialist Nasar Abadey has earned his stripes over decades performing with some of jazz’s towering figures like Dizzy Gillespie, Ella Fitzgerald, Pharoah Sanders and Sonny Fortune.

NICK DERISO: Cephas and Wiggins, America’s best remaining champions of the easterly Piedmont blues tradition, somehow never really made it. I mean, Robert Cray-type made it. Stevie Ray-type made it. A shame. Self-taught harp player Phil Wiggins, from Washington D.C., met John Cephas as the 1960s blues revival was in full swing. A terrific writer — “Roberta,” “Dog Days of [...]