‘Trip’ is not Mike Stern’s ‘return to form’ but rather, a reaffirmation of form. And for that, we can be grateful.

Best known as the drummer in the barrier-breaking metal band Living Colour, Will Calhoun has quietly put together an impressive resume in jazz

The appropriately named “Combustible,” part of an upcoming Wallace Roney project called Understanding, bursts out like a spit-shined hard-bop muscle car — and the trumpeter never takes his foot off the gas. You May Also Like: When Miles Davis Finally Looked Back on ‘Miles and Quincy: Live at Montreux’ ChicagoRead More

A life around jazz, and fellow jazz greats, has left Alphonse Mouzon with his share of stories.

by S. Victor Aaron Wallace Roney’s live album that bowed last spring is a good record for several reasons, first and foremost because of the trumpet player’s dexterity on the brass horn. In our brief review of If Only For One Night, I didn’t have room to say much aboutRead More

by S. Victor Aaron Last Tuesday, HighNote Records furnished two new CD’s, each by established veterans of the jazz scene. Look on the back of just about any classic Blue Note album from the 60s, and you’re likely to see Joe Chambers’ name listed as the drummer. And while there’sRead More

“Live at Montreux,” which focuses on tunes from Wayne Shorter’s then-new album “High Life,” might have been just another night in a lifetime of concert dates — if not for the former Miles Davis sideman’s still prodigious, almost hypnotic ability on the sax. That, and some bonus cuts from MontreuxRead More

Editor’s note: This column ran as part of an obituary package on the national Gannett News Service wire upon Dizzy Gillespie’s passing in 1993. People told him those bullfrog cheeks would ruin his playing. The embouchure, very important. Flinty, yet funny, John Birks Gillespie was insightful enough to understand thatRead More

by Nick DeRiso “Elegy” begins with a trill from Herbie Hancock, then a persistent, oh-so distinctive tapping that could only be drummer Tony Williams. Next, a nimble, casually funky bass line from Ron Carter. Like a dream made real, Miles Davis’ second great group — with Wallace Roney stepping inRead More