Preston Frazier’s Best of 2019 Jazz includes MaiGroup, Alan Evans, Catherine Russell, Jon Herington and Jim Beard, Bob Sheppard, Oz Noy and Kelley Suttenfield, among others.
Viviana Zarbo can switch from being as sensual as breathing to being as scary as a she-devil in a heartbeat.
Barb Jungr hinted that this could be her last album. I, for one, sincerely hope not.
Fleur Stevenson makes very clear nods to the song’s original composers, but ‘Follow Me’ is also imbued with a remarkable originality.
Released a decade ago today, Diana Krall’s ‘Quiet Nights’ succeeds as easy listening – in the best sense of those words.
Catherine Russell returns with a new album of standards that showcases both her gift as an interpreter and her passion for the music.
Cabaret-noir singer Graham J.’s ‘Cry’ is an album of surprises, one which hits you both aurally and emotionally.
There is nothing usual, easy listening or ordinary about Arema Arega’s ‘The Red Soundtracks.’ It is completely different.
It feels like the vocal talent of Dwight Trible has been one of the best-kept secrets in jazz. Well, not now, it isn’t.
Released 10 years ago this month, these vintage Frank Sinatra performances preceded a career-threatening throat hemorrhage.
