The jazzy “Take A Chance (Gotta Get Happy)” sways to the atmospheric cadence of Grace Marino’s affecting vocals and cool-cat instrumentation.
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Listen as Frank Sinatra sustains the words until you hear the cracks in his voice and, you become certain, his heart.
Jose James’ new collection of classic Billie Holiday covers makes for a stellar, if somber, album. Yesterday I had the blues, indeed.
In February 1962, as Ernestine Anderson took the stage at a Seattle jazz club, the then-34 year old should have been consolidating her early successes.
A pre-release peek into “Life Lessons” showcases the incredible Grace Marino’s power and range in all of its ravishingly emotional splendor.
This brave song, written about the horror of racism long before the Civil Rights movement, is given a different complexity by Cassandra Wilson.
Eliane Elias is routinely connected with her Brazilian roots but, the truth is, “Brasil” begins her first full-length recording from back home since 1981.
Donna Deussen’s new collaboration with Paul Weitz feels like it came together over black coffee among friends. In essence, that is the story.
If Bob Dylan’s new song is any indication, ‘Shadows in the Night’ could end up surprising more than a few naysayers. It’s certainly changed my mind.
Ashley Daneman’s new album, while certainly couched in the world of jazz, is also irrepressibly personal and boldly imperfect.