Brandon Seabrook – Die Trommel Fatale (2017)
Always crazy like a fox, Brandon Seabrook might have again made radical art with ‘Die Trommel Fatale,’ but it’s art with plenty of purpose, vision and balls.
Always crazy like a fox, Brandon Seabrook might have again made radical art with ‘Die Trommel Fatale,’ but it’s art with plenty of purpose, vision and balls.
”This Is Beautiful Because We Are Beautiful People’ is a set of performances that succeed because the Toxic musicians place all trust on instinct and the instincts of others.
In thirty-five short minutes, Jaimie Branch said a lot about what she’s offering to the realm of outward-bound jazz. If ‘Fly or Die’ is only her Chapter One, I can hardly wait to hear the rest of this book.
Long known as jazz’s most mischevious covers band, Sexmob now takes deadly aim at its own material on new release ‘Cultural Capital.’
Here is the world premiere of the new Sexmob track “Bari Si” from their upcoming new album ‘Cultural Capital.’
Jü is a band with plenty of potency with the intelligence of knowing when and where to apply it. ‘Summa’ builds on that solid start with Kjetil Møster to take their game up even higher.
Describing ‘GRID’ as “guttural” is a modest way to put it, but scary music created on the fly has rarely sounded so sweet.
A mere two months following yet another highly thought-of ensemble record, guitarist/composer Mary Halvorson has returned.
The music from Happy Place’s ‘Northfield’ wouldn’t readily be described as cheerful, but it’s intended as a cathartic release, and that’s just what it achieves.
Featuring Tomas Fujiwara, Ben Goldberg and Mary Halvorson, the Out Louds aren’t always necessarily loud – but they are sure enough ‘out.’