Rich Halley’s ‘Boomslang’ is a mixture between of Halley-written material and group improvisations, and both approaches work equally well.

Noah Haidu’s attention to all of the facets that made Keith Jarrett such a major jazz figure pays off with an album worthy of its incomparable subject.

Nothing is lost when Nik Bärtsch, bandleader, becomes Nik Bärtsch, solo pianist. It’s still captivating music, only played through the single vessel of piano.

It’s not just a preponderance of fresh ideas that makes Russ Lossing’s album ‘Metamorphism’ work so well; they are ideas that fit right with the people chosen to carry them out.

Mat Walerian’s latest Okuden project is his most ambitious yet and when you understand the sweeping, cutting-edge careers of his sidemen, you see an artist whose ambitions matches theirs.

Daniel Carter, Patrick Holmes, Matthew Putman, Hilliard Greene and Federico Ughi create improvisational music of uncommon elegance and shared vision.

‘Molecular’ uses the double helix DNA component structure as a compass to guide James Brandon Lewis’ own harmonic map.

No matter how Dan Rosenboom makes music, it’s always going to be bold, thrilling and teeming with musicianship.

Jorge Roeder brings a lot of virtuosity to the double bass, but the most striking thing about ‘El Suelo Mío’ is how he is able to get such lovely sounds and captivating rhythms out of it.

It took a while for Jerry Granelli to look back to two of his most famous ex-employers, but once he found the perfect partners, he knew he could do it the right way.