Steve Lukather kept Toto’s legacy alive with All’s Well That Ends Well
When ‘All’s Well That Ends Well’ arrived on Oct. 11, 2010, it looked as if Toto was over. Steve Lukather stepped forward to accept the mantle.
When ‘All’s Well That Ends Well’ arrived on Oct. 11, 2010, it looked as if Toto was over. Steve Lukather stepped forward to accept the mantle.
“White Sister,” a stand-out moment from Toto’s sophomore album ‘Hydra,’ combines hard-rock strut and progressive rock obliqueness.
Toto moves into solid R&B/funk territory with “Mama,” a David Paich co-write that finds Bobby Kimball delivering his best vocal on ‘Hydra.’
Toto’s “All Us Boys” starts side two of Hydra by throwing all of the previous themes out the window. It only gets more confounding.
Released in August 1986, ‘Fahrenheit’ fell into an emerging trend, but the big-hearted singles didn’t reflect all of Toto’s varied musical goals.
I’d argue ‘Hydra’ did more to establish Toto’s style and sound than their debut. The complex and entertaining “Lorraine” is exemplary of that.
A Steve Lukather-sung ballad, “99” did respectively enough, reaching the Top 40. But why wasn’t it Toto’s biggest hit to that point?
Toto’s proggy “St. George and the Dragon” failed to chart as the lead single from 1979’s ‘Hydra,’ but it’s only grown in estimation since.
‘Hydra,’ Toto’s second album, confounded critics and fans alike upon its release in October 1979, but it has aged well.
This Mid-Year Best of 2015 list also includes J.D. Souther, Jose James, Luke Reynolds, Kevin Gilbert, Leslie Johnson, Joni Mitchell, Marc Cary and others.