‘Lucid/Still’ captures a live performance of Tim Berne, Hank Roberts and Aurora Nealand’s unique brand of improvised chamber music.

By playing different songs after several more years of further developing their chemistry, Science Friction’s ‘No Tamales on Wednesday’ qualifies as a welcome official ‘new’ album by this long-defunct Tim Berne group.

David Torn, Tom Rainey, Tim Berne & Trevor Dunn came together make an instant album that’s explosive, urgent and intense, even when it isn’t loud.

In the end, the Sunny Five’s ‘Candid’ is a jam record but in this case, the jams expose just how scary talented this assemblage truly is.

‘Oceans And’ intrigues because it’s a meld of sounds that don’t normally go together, and delights because it goes together so well in the hands of Tim Berne, Aurora Nealand and Hank Roberts.

The the music of ‘MYSTIC’ by the expanded Sun of Goldfinger ensemble The Sunny Four lives entirely in the moment while justifying multiple moments re-hearing it.

Ivo Perelman’s one-on-one improvisations with 12 distinct reedists ‘Reed Rapture In Brooklyn’ is the story of an ambitious project told through a box set of recordings now being told through a full-length documentary.

We often hear about recordings ostensibly made without regard to rules, preconceptions and guidelines in pursuit of a mode of expression that’s pure and original. Marc Ducret’s ‘Palm Sweat’ actually sounds exactly like it was made that way.

Tim Berne’s and Gregg Belisle-Chi’s ‘ZONE 1’ completes a one-two punch of sax/guitar performances which are distinct from each other but at the highest level.

As ‘One More, Please’ makes evident, Tim Berne and Matt Mitchell can keep their collaboration going for a long time because their collaboration never moves beyond the discovery phase.