Adrian Belew’s reflections on touring again with a pair of King Crimson bandmates led to some interesting comments on the future of that long-standing Robert Fripp-led amalgam

Frontman Roger Daltrey was noncommittal about another reunion tour for the Who, saying “it all depends on whether it feels right.”

Originally released as Humanary Stew: A Tribute to Alice Cooper on Deadline Records in 1998, this collection of covers has recently gotten a repackaging from Cleopatra Records with a few extra tunes

You can argue as much as you want whether this was the Who, or — as Roger Daltrey was fond of putting it — Who2, or as some jokingly said, “The Two,” or should have been a Pete Townshend album

OK, I didn’t really ‘forget’ it. It’s just that the attached memories were so intense and bittersweet that, at the time, I didn’t have the strength to revisit them.

After reading Rolling Stone magazine’s list of Top 100 guitarists, I felt the need to chime in.

by Mark Saleski Back in the 1970s, there were a handful of records you just couldn’t get away from. They were everywhere: on the radio, in your car’s 8-track player, on your best friend’s stereo.

In a way, the Who has no one to blame for a slow and steady slide into overlooked rock-god status.

by Mark Saleski Superfluous. Meaningless. Pointless. Redundent. Obligatory. No, I haven’t been playing with my thesaurus. These are just some of the words that are often used to describe live recordings.

by Mark Saleski This album documents The Who at their most ferocious. Roger is in great voice. Moon is a dynamo on the drums, his kit sounding like it might fly apart at any second. Entwistle’s bass, as always, is far more than an anchor. And then there’s Pete Townshend — Live at Leeds is a showcase of Townshend building [...]