Harriet Tubman continues with the lofty ideas found on 2017’s ‘Araminta,’ and one ups it with deeper experimentations into rhythms.

Pianist Denny Zeitlin’s ‘Wishing On The Moon’ presents three unique musical personalities in pursuit of the right group dynamic and their performance at Dizzy’s Club Coca Cola confirms they had achieved it.

You won’t gain any academic knowledge about the human heart from listening to ‘Heart Tonic,’ but it’s clear Caroline Davis invested all of hers.

While ‘For Those About to Jazz/Rock, We Salute You’ really has nothing to do with AC/DC, Vector Families has that kind of intensity level and spunk. Only with way more improvised gumption.

‘Expedition’ continues a long, provocative journey taken by Denny Zeitlin and George Marsh along the innovative frontier of jazz.

In what will likely go down as one of the best uncategorizable releases of the year, Harriet Tubman’s ‘Araminta’ is a swaggering statement from four musicians who thrive on taking chances.

With only two albums to his name alone, Glenn Zaleski is a fully realized talent as a pianist, composer and bandleader. Fellowship is going to delight anybody who relishes Fred Hersch and Keith Jarrett trio records.

‘Live At Maxwell’s’ is the first album to give those of us who hadn’t been able to see Duane Eubanks lead on the bandstand a taste of what he’s capable of in such a setting. We could use many more tastes like this.

Leave it to another groundbreaking veteran like Denny Zeitlin to give Wayne Shorter’s songs tributes that are actually worthwhile hearing nearly as much as the originals.

Steve Kuhn has been an original and dynamic pianist for over five decades, and that young spirit is very much present today on “My Shining Hour” and the rest of ‘At This Time.’