Improvisi’s ‘Live at the Hope and Anchor’ features two sets of improvised and deliciously spontaneous music.
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Steve Elliott caught up with guitarist James Calvin Wilsey, who made his studio debut with Chris Isaak on the January 10, 1985 release ‘Silvertone.’
Gilad Atzmon discusses his long tenure with the Blockheads, performing on Pink Floyd’s new album and the folly of so-called jazz education.
Jon Anderson and Trevor Rabin discuss the creative process that led to Yes’ deeply underrated ‘Shoot High, Aim Low,’ released as a single on Dec. 31, 1987.
Tony Levin discusses the 2014 King Crimson tour set to be chronicled in ‘Live at the Orpheum,’ and the return of a very special artifact from long ago.
Roger Hodgson collaboration represents road not taken for Yes: ‘One of those things that fizzled out’
“Walls,” released as a single on Dec. 25, 1994, found Yes collaborating with Roger Hodgson of Supertramp fame. What if he’d become their lead singer?
Nels Cline joins us to talk about Wilco’s plans, as the group announces 2015 dates and continues work on a follow-up to ‘The Whole Love.’
Steve Cropper has long advocated for the 5 Royales, newly announced recipients of the Rock and Roll Hall of Fame’s Early Influence Award.
Tony Levin takes us to the genesis of this Scott Schorr co-produced effort, and talks about the possibility of future projects with Pete Levin.
We go in depth on one of Yes’ most inventive albums, ‘Relayer.’ Released 40 years ago today, it now represents a road not taken.