In recent years, veteran sonic sculptor Richard Pinhas has found affinity with the king of Japanese noise music, Merzbow.
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Mary Halvorson the garage band indie rocker? Sure, why the hell not?
As the reigning champ of blues-rock guitarists after Clapton’s generation, Joe Bonamassa attracts notice whenever he issues new music (and to the great delight of his fans, he does this often).
How appropriate that the Emporers of Wyoming, a Butch Vig band more than three decades in the making, has fashioned a folk-reverie out of the Afghan Whigs’ crunchy “Rebirth Of The Cool.”
Our second taste of this forthcoming Black Country Communion-offshoot band‘s self-titled debut finds California Breed riding a firmament readjusting beat from Jason Bonham toward lip-smacking heavy-rock nirvana.
Even as Neal Schon works on a long-awaited reunion with the Santana band, he’s unleashing a taste of what he calls “Latin fusion” from a forthcoming solo album with Marco Mendoza and Deen Castronovo.
Johnny Orr assumes the role of an autistic boy and says what that boy might say if he were able communicate like a neurotypical kid in his gently swaying ballad, “We’ll Get By (The Autism Song).”
The Allman Brothers Band will soon pull into the station for good, but Gregg Allman shows via a forthcoming concert film that he’s not finished playing the role of Midnight Rider.
Ray Wilson took the stage last year with an eye on framing his legacy, both in Stiltskin and in Genesis.
Only a free-form improvisational group like moe. could start out with the aim of a barn-recorded acoustic album and somehow end up working with a producer who made his name in hip hop-circles.