Post Tagged with: "S. Victor Aaron"

Half Notes: Roxy Coss – Roxy Coss (2011)

by S. Victor Aaron Women continue to move into areas of jazz long dominated by men, and in a big way. Even since I made a big to-do about this trend a couple of summers ago, the parade of girls muscling their way into the boys’ club continues on stronger than ever. The latest to tear down that barrier isRead More

Half Notes: Plunge – Tin Fish Tango (2011)

by S. Victor Aaron NOLA-based Plunge is back again to follow up on their stripped down trombone-based brand of funky jazz found on Dancing On Thin Ice, Tin Fish Tango. Once again, ‘bone player Mark McGrain leads a small ensemble with bassist James Singleton of Astral Project, a sax player (either Tim Green or Tom Fitzpatrick) and occasionally, sousaphone playerRead More

Half Notes: Luther Hughes and the Cannonball-Coltrane Band – Things Are Getting Better (2011)

by S. Victor Aaron Bassist Luther Hughes leads a tenor sax/alto sax quintet in its forth recording paying tribute to the spirit of Cannonball Adderley and John Coltrane. Specifically, The Cannonball Adderley Quintet in Chicago album recorded with Miles Davis’ band sans Miles himself just six months before they all reconvened to tape this little landmark record called Kind OfRead More

Yes’ ‘South Side of the Sky,’ ‘Sound Chaser,’ ‘It Can Happen’ + others: Gimme Five

Yes’ ‘South Side of the Sky,’ ‘Sound Chaser,’ ‘It Can Happen’ + others: Gimme Five

Yes has taken more twists and turns than the fantastical lettering created for its album covers by Roger Dean.

Half Notes: Stephen Haynes – Parrhesia (2010)

Half Notes: Stephen Haynes – Parrhesia (2010)

by S. Victor Aaron After all the whack jazz winners I’ve heard from Engine Studios, I’ve come to expect nothing but excellence whenever I pop in a CD from that label for the first time, and I’ve yet to be disappointed. Label head and producer Steven Walcott signs up creative, free thinking musicians new or old, overlooked or established, putsRead More

Half Notes: Jeff King – Catalyst (2010)

by S. Victor Aaron “Catalyst” is not just the name of the album, it’s also the name of the band sax/flute player King leads, and this is their debut album. This band which features King, Luis Deniz (saxes), David Braid (piano and keyboards), Rich Brown (bass), Joel Haynes (drums), have Juno Award (Canadian Grammies) and National Jazz Award winners amongstRead More

Half Notes: The Ray Anderson-Marty Ehrlich Quartet – Hear You Say: Live In Willisau (2010)

by S. Victor Aaron Even on an ode to a fallen friend (“Portrait Of Leroy Jenkins”) and the chromatic ballad (“My Wish”) they pour on the intensity, but get downright giddy on harder tunes like “Hot Crab Pot,” a song that boils over with as much intensity as the title suggests. “Alligatory Rhumba” is a delightful Cuban party song builtRead More

Half Notes: Eugene Marlow's Heritage Ensemble – Celebrations (2010)

by S. Victor Aaron So often in recent years we’ve heard jazz played in a traditional Jewish style, aka “Klezmer” jazz. Arranger/composer and keyboardist Eugene Marlow puts this idea in reverse: taking traditional Jewish songs and playing them in mainstream, Afro-Cuban, Brazilian and even contemporary jazz styles. The second Heritage Ensemble CD (the first one came out in 2006) isRead More

Half Notes: Ken Thomson And Slow/Fast – It Would Be Easier If (2010)

by S. Victor Aaron Like Jason Stein, Gutbucket co-founder Ken Thomson is a bass clarinetist — he’s an alto saxophonist, too — and both like to play along the margins of jazz, but Thomson’s conception of music freely spills over into other styles as well. His latest project, Ken Thomson And the Slow/Fast, is a quintet with him and RussRead More

Half Notes: Holly Hofmann and Bill Cunliffe – Three's Company (2010)

by S. Victor Aaron Although she’s made bop-oriented records for over twenty years, Holly Hoffmann is not as well known as she probably should be. A flautist of the first order, she’s the logical heir to Frank Wess’ legacy. Bill Cunliffe is accomplished in the jazz world himself, having won the Monk piano competition in 1989, recorded with some heavyRead More