The Eagles’ ‘Long Road Out of Eden’ arrived on Oct. 30, 2007 sounding like nothing else out there. It was unabashedly an Eagles record.
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Levon Helm’s ‘Dirt Farmer,’ released on Oct. 30, 2007, was so determinedly rustic that it made the Band sound like sleek electronica.
The free-playing Barker Trio strikes wide contrasting moods, not allowing themselves to be limited by a limited number of instruments.
Gov’t Mule dug deeply for ‘By a Thread,’ released on Oct. 27, 2009, retaining all of their soul and grit even as they emerged with a new lineup.
Released on Oct. 26, 1973, ‘Quadrophenia’ has never quite escaped the shadow of ‘Tommy,’ despite the Who’s best efforts. Here’s why it should have.
‘Chrome Dreams II,’ released Oct. 23, 2007, showcased all of Neil Young’s many sides. A blockbuster 18-minute track brought everything into focus.
The heavily praised ‘Raising Sand,’ released on Oct. 23, 2007, doesn’t sound like either Robert Plant or Alison Krauss – and that’s a good thing.
Warren Zevon’s one-off collaboration with members of R.E.M. in the Hindu Love Gods was filled with comfy cover tunes. But one of them stood out.
When ‘All’s Well That Ends Well’ arrived on Oct. 11, 2010, it looked as if Toto was over. Steve Lukather stepped forward to accept the mantle.
Released on Oct. 11, 1972, Miles Davis’ ‘On the Corner’ remains fresh and funky. So, why isn’t it more widely accepted as a fusion masterpiece?