“Modern Blue” takes Rosanne Cash on a twilit journey across the world of passion before returning to a soft landing in the endlessly evocative American South.
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A song of dimly lit, strange salvation, “Just Another Whistle Stop” is a gem worth digging up for those who rarely get past the Band’s first two albums.
‘I spent an hour holding his hand': The Band’s Robbie Robertson on his emotional last meeting with Levon Helm
The Band’s Robbie Robertson was on this way to participate in Rock and Roll Hall of Fame ceremonies when he heard that his longtime former collaborator Levon Helm was near death.
For Daniel Lanois, producing an album can typically be about “the documenting of time, and what’s going on in people’s lives — emotionally and otherwise.” And with Bob Dylan, that time was typically after sundown.
John Mellencamp may be known for changing his name an astonishing three times, but he is respected for two other qualities: his status as the Bruce Springsteen of the Midwest, and his refusal to compromise his sound to fit the latest trends.
This acoustic offering, remastered and packaged together with a new concert tribute to Ronnie Montrose, offers an opportunity for quiet reflection on the guitarist’s lost genius.
“Time to Kill” found the Band — even as they went out into the world to face the mythos they had created in their initial sepia-toned absence — celebrating a bucolic world left behind.
Richard Manuel’s greatest triumph on Stage Fright, and one of his last signature moments of creativity, arrives with “Sleeping” — as does the growing sense that this is a Band album like no other
For Elvis Costello, the Band arrived like a bolt out of the blue. At the same time, there was an ageless quality to the songs — in particular Levon Helm and Company’s “Rag Mama Rag,” from 1969’s The Band.
Garth Hudson catches a honking groove on the accordion, setting the stage for a galloping assertion of carnal desire to which only Levon Helm — with his patented yard-dog yelp — could do justice.