After being less than impressed with Slash’s last solo album and its parade of guest stars, and being only a marginal fan of Velvet Revolver or Slash’s Snakepit, I didn’t go into Apocalyptic Love with my hopes too high.
May 2012 marks the 30th anniversary of the release of drummer Chad Wackerman’s studio debut with Frank Zappa on Ship Arriving Too Late to Save a Drowning Witch. Wackerman would eventually appear on some two dozen Zappa recordings
Really, this isn’t a remix album at all. More like a complete rebuild, using scraps of timber, radically rearranged bricks and a few familiar pieces of furniture.
May 24, 2012 marks the 21st anniversary of the passing of Byrds cofounder Gene Clark, whose early death couldn’t overshadow a remarkable stint as the band’s principal songwriter in the mid-1960s.
I can’t remember the last time I heard Chris Squire approach the bass with this much unadulterated passion, with this much joy.
New Music Monday brings a dizzying array of fresh items from the likes of Bob Wayne, Garbage, Great White, Joe Bonamassa, Kill Devil Hill, Slash and Sonny Landreth
It’s hard to believe it’s been 20 years since this snarling beast first roared out of my speakers.
At Neptune Theatre, Seattle, Washington: “The small machine appears to have just gotten a little smaller,” was how singer-songwriter, and Fleetwood Mac guitarist Lindsey Buckingham described it
Two things that became apparent to me when first hearing “Glamour Profession” at the time when Gaucho first appeared
Garbage shows it can still swirl alt-rock, post-pop and electro-dance beats in a highball glass of lip-busting attitude on this, their first album in seven years. The difference here is the band’s newfound sense of angsty consequence.
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