by S. Victor Aaron It’s not unusual at all for the tenor sax and the vibraphone to appear on the same jazz record; we’ve heard these on countless jazz recordings. But by co-leading a record, saxophonist Ken Fowser and vibraphonist Behn Gillece gives us fairly rare opportunity to hear bothRead More

by S. Victor Aaron In the promo video below, pianist Orrin Evans performs the first cut from his new album Faith In Action, and the camera ever so slyly captures a picture of Thelonious Monk in the background. The subliminal advertising is undoubtedly intended to suggest that Evans’ playing styleRead More

by S. Victor Aaron This installment of Quickies takes a glance at three new offerings from HighNote Records. HighNote Reocrds, in case you didn’t know, has been around since 1996, a creation of former Muse Records founder and Prestige Records exec Joe Fields. As a longtime veteran of the wholeRead More

So today we open up a new series “Deep Cuts,” where your friendly music guides here at Something Else pull out and call attention to a more obscure track taken from familiar, sometimes classic, records. If you’re like us, you’re more of an “album” guy than a “singles” guy andRead More

From the first chunky guitar chords, the Spinners’ “I’ll Be Around” is a different kind of a song about getting dumped, and still loving her anyway, and thinking to yourself — and then saying out loud — that you’ll wait for as long as it takes for her to return,Read More

by Nick Deriso Hall and Oates are, of course, the poster boys for what happens when hair gel meets R&B. Funny thing is, they were originally anything but polished. Hall had reportedly been in an early Philly band with Thom Bell, later a central figure in that city’s R&B legacy.Read More

If you’ve dismissed the Stylistics’ “People Make the World Go Round” because it might be a played of a soft-rock oldies station, take a closer listen.

by S. Victor Aaron Since the mid-sixties, jazz musicians have sought to combine electronic instruments with jazz to create something new and fresh sounding. The most obvious result of this mix is called fusion, but others have managed to do it taking different approaches that uses these instruments to actuallyRead More

by S. Victor Aaron PETER ERSKINE, Sweet Soul (1991) I’ve got scads of records led by John Abercrombie that show Erskine’s prowess on the skins better than this record. But here, Erskine does such a great job leading an ensemble that shifts from track to track. On some, we areRead More