Mark Knopfler, “Beryl” from ‘Tracker’ (2015): One Track Mind
“Beryl” reminds us of why Mark Knopfler became famous in the first place – even as it seems to retrace the steps that led him away from that fame.
“Beryl” reminds us of why Mark Knopfler became famous in the first place – even as it seems to retrace the steps that led him away from that fame.
If Bob Dylan’s new song is any indication, ‘Shadows in the Night’ could end up surprising more than a few naysayers. It’s certainly changed my mind.
When I heard the Big Sexy’s theme song of comedian J-L Cauvin, I was intrigued. Figuring out who actually performed it was another matter.
Here is a review of David Philips’ pretty, ethereal number “Angel” from his upcoming album ‘If I Had Wings.’
Lundbom’s original tune “The Bottle” is a good indicator that there’s no let up from Big Five Chord in Jeremiah from their previous five records.
Here is an early listen to the new psychedelic fusion supergroup DRKWAV (John Medeski, Skerik, Adam Deitch), a stream of the track “Darkwave.”
Here is a review of Chris Lightcap’s Bigmouth’s “Epicenter,” the title track from the jazz supergroup’s upcoming new album.
Here’s Nick Hempton’s fifth song is his ‘Catch and Release’ series, “Target Practice,” featuring Hempton on tenor fronting a classic, jazz quartet.
That Kevin Eubanks and Stanley Jordan offer fine takes on jazz staples here comes as little surprise. But Ellie Goulding’s “Lights”
Mini Mansions, a still-emerging LA-based trio, thought they might get the Beach Boys’ Brian Wilson on their new song. What were the chances?