On the way to work, I indulged in a little college-era nostalgia: Give The People What They Want by The Kinks.
Post Tagged with: "One Track Mind"
Discovered far too late, Mississippi bluesman Charles Caldwell was already dying of pancreatic cancer as he began recording his belated debut for Fat Possum.
How do things like this go unreleased? Ex-Sunny Day Real Estate frontman Jeremy Enigk wrote some beautiful music for the soundtrack to the film United States Of Leland
Twenty-two year-old Alex Brown presented his debut album Pianist a couple of months ago with a big boost from his mentor of the last four years, Cuban-American sax giant Paquito D’Rivera. Sure enough, this record has the unmistakable flavor of Cuba
Christian McBride’s new duet with Sting, a smart and groove-filled take on 1985’s “Consider Me Gone,” shows again why the former Police frontman’s original synthesis of new wave and jazz seemed so interesting in the first place.
In 2004, XTC mastermind Andy Partridge opened his heart and new label Ape Records to house not only his Fuzzy Warbles series — and initial releases by Peter Blegvad, Orpheus, the Lowdown, as well
I’ve listened to the side-long title track of Pat Metheny and Lyle Mays’ As Falls Wichita, So Falls Wichita Falls, oh, maybe just a couple of times in the last twenty years.
by Fred Phillips In the early days of my metal fandom, one of the best ways to sample new music was the compilation albums from K-Tel and the like. They were a lot cheaper than a standard cassette, usually running $4-$5 as opposed to $7-$8 for regular albums
Ben Folds, for all his blind-alley turns into jokes that go nowhere, retains a particular eye for the turn of phrase, for the precise word the opens your heart like a flower
On an album boasting a number of wind-swept, very dark ruminations on life in this digital age, Billy Sherwood takes a second on “Living in the Now” to contemplate the answers