A new Led Zeppelin reissue gives S. Victor Aaron, Nick DeRiso, JC Mosquito, Fred Phillips and Mark Saleski the chance to reassess.
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One part revelry and one part reverie, Dr. John’s update of Paul McCartney’s “Let ‘Em In” is a highlight on the forthcoming ‘Art of McCartney.’
The Band’s version of this Four Tops gem illustrates their canny ability to countrify soul music. A Motown classic is reborn.
Lucinda Williams’ gruff slur on “Have Yourself a Merry Little Christmas” conveys just how few times the fates allow us the moments we’d like.
A pessimist’s anthem for any era, Leonard Cohen’s “Everybody Knows” never loses its blunt force wisdom.
Mick Jagger’s take on “Waiting on a Friend,” from the Rolling Stones’ newly issued ‘Hampton Coliseum – Live In 1981,’ becomes a character study.
Eric Clapton presents himself for the first time not as guitar god, but as bone-deep soul singer.
Here’s our review of David Bowie’s “‘Tis A Pity She Was A Whore,” the second of two new songs to be included on a forthcoming retrospective.
This is the post-Roger Waters Pink Floyd album that David Gilmour should have made in the first place — one that reflects his own strengths.
With everything that’s gone on, the idea of new music — any new music — from Jethro Tull has to be greeted with unbridled jubilation.