by Nick DeRiso Perhaps the only album from after the so-called Classic Period (“Dark Side”-to-“Animals,” some would also include “The Wall”) that must be checked out by any prospective Pink Floyd fan — if only because it helps encapsulate the Rest of the Story, outside of Roger Waters’ monolithic influence.Read More

One well-placed guitar note might be all Robert Cray hits, while others would play three or four.

by Nick DeRiso It’s been more than 50 years since Stan Lewis opened Stan’s Record Shop in downtown Shreveport. From his vantage point at the the top of Texas Avenue (I used to sneak down there after class), he would go on to create a once-lucrative business, then see theRead More

by Nick DeRiso While it doesn’t have the cohesiveness of 1992’s “Portraits of Ellington,” this makes its own kind of statement. The playlist is an evocative pairing of older, traditional big-band selections by composers like Billy Strayhorn, with more modern tunes from Miles, Monk and Coltrane. In that way, theRead More

Fans of his so-called comeback projects shouldn’t skip over ‘Connected’ as they make a bee line for Allen Toussaint’s classic-era albums.

The Beatles’ ‘Revolver’ became their best album as the group made its first genuine foray outside of already-comfortable pop-song structures.

by Nick DeRiso A line-up from jazzer nirvana is one thing. Wringing such ringing performances out of the guys is quite another. Call this cool vibes from vibrophonist Hampton, who certainly knows where to mail the invitations — a veritable who’s-who of jazz for the newbie: Pianist Hank Jones, trumpeterRead More

This stark-red Paul McCartney release, issued as the Fireman, turned out to be one of the wackiest Beatles solo releases ever.

by S. Victor Aaron If someone were to ask me who was the best alto sax player ever, I couldn’t at least not heavily consider Cannonball Adderley, the Miles Davis sideman. He had both technique and soul by the sackful. Adderley churned out some fine ones even without the PrinceRead More

 by Nick DeRiso One of her best Rounder releases, and hilariously named, is “Let Me Play With Your Poodle.” Featured is legendary guitar virtuoso Clarence Holliman, the guy who burned through Bobby “Blue” Bland’s classic 1950s and ’60 sessions. In fact, the old album titles tell it best, when talkingRead More