Randy Bachman’s new Neil Young collaboration is a scroungy groover in the tradition of Young’s garage-rattling Crazy Horse projects.
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Brian Wilson’s collaboration with fellow Beach Boys alums Al Jardine and David Marks places ‘No Pier Pressure’ into a compelling new context.
Left to his own devices after the dissolution of the Band, Levon Helm returned to the things that had been his strengths, his succor, and his joy.
On one level, it sounds like the Byrds. On another, Buck Owens. On another still, Gene Vincent. Keep going. At bottom, it’s uniquely Dwight Yoakam.
Robben Ford brings his usual canny sense of craft to this collaboration with Warren Haynes, even as he — once again — more than holds his own.
Eliane Elias is routinely connected with her Brazilian roots but, the truth is, “Brasil” begins her first full-length recording from back home since 1981.
Remembering lesser-known sides from Muddy Waters harpist Little Walter, who hurtled his instrument forward before dying today in 1968.
A long-awaited new Jimmy Page album is being promised. Until then, we’re left with table scraps from a feast that’s somehow never been served.
Greg Lake looks back on King Crimson’s classic debut, which rose to the band’s highest-ever album chart position today in 1970.
You can’t dig too deeply into blues, as Steve Earle is doing these days, without a teeth-splintering clang of your shovel against Robert Johnson’s legend.