Adam Schneit keeps the Neil Young-like melody of “A Clearer View” melody well within sight while retaining the immediacy of a good Young song without needing lyrics to get that across.
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As an opening track, “Future Times/Rejoice” is not a good omen for the rest of Yes’ ‘Tormato.’
Guitarist Ryan Blotnick moves back to Maine and an album of eight, spacious Blotnick compositions gently swayed by African-derived rhythms happens.
This gravelly marvel of a singer, Leon Russell leaves us as the consummate musician – and a never-ebbing rebel.
Bruce Springsteen has always been dogged by rumors of versions of albums that differed markedly from what became the commercial release.
“The Lady In My Life” is a tribute to the late Rod Temperton’s pop songcrafting genius and the flair Kait Dunton has for surprising, smart arrangements.
With his eighth release ‘Mr. Senator,’ Murali Coryell continues to forge his own path as a soulful blues-rock singer, songwriter and — as you’d expect from a Coryell — mighty fine guitar player.
‘Concert of the Century: A Tribute to Charlie Parker’ crosses so many boundaries – not the least of which is time.
I returned to a 2009 live album, Leonard Cohen’s first newly recorded release since 2004’s ‘Dear Heather,’ during the first dark evening without him.
Inspired by Susan Alcorn’s pedal steel guitar, ‘Away With You’ keeps Mary Halvorson’s idiosyncratic ideas fresh and pushes forward her boundless conception of jazz on the frontier.