Grace Potter and the Nocturnals’ second disc, issued in June 2010, found them ready to break out – even if it wasn’t their best work.
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Paul Jolly, a free jazz musician, producer and advocate, has made good on his own personal mantra: “Wake up every day, and do something positive and with love.”
Released in June 2009, the Evan Parker Electro-Acoustic Ensemble’s ‘The Moment’s Energy’ is made up of a continuum of evolving ideas, rather than actual songs.
Chicago will be excellent throughout the Terry Kath years, but rarely, if ever better than this deep cut “Poem for the People.” This is the sound of a band that can do anything and do it well.
‘Wilco (The Album)’ arrived in June 2009 at a fork in the road: Would Wilco keep moving forward or stick with a winning formula?
Even when reflecting on the 80s of their youth Deerhoof tends to favor making rock music the makeshift way most rock music was made in the 60s, and the method matters for this music.
San Francisco Bay Area drums/organ sensation Amendola vs Blades are finally putting out a record. And here’s how you can help underwrite it.
Incredibly interesting, Milton Marsh’s lost album ‘Monism’ is as relevant today as it was in 1975.
Marquis Hill is the textbook definition of a master and ‘The Way The Play’ relentlessly demonstrates that craft.
Released by Larry Carlton and Tak Matsumoto in June 2010, ‘Take Your Pick’ wasn’t flashy, but its highly polished fretwork just might satiate your soul.