Passed over as an A-side, “Thank You Girl” illustrated the foundational role the blues, R&B, and early rock ‘n’ roll played in the Beatles’ early sound.
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Motley Crue’s ‘Theatre of Pain’ doesn’t equal the power of ‘Shout at the Devil’ or the sleazy fun of ‘Dr. Feelgood,’ but it’s worth another listen.
Guitarist Matt Gold and drummer Nate Friedman display a jazz acumen well beyond their years on Sun Speak’s sophomore album, ‘Sacred Rubble.’
The Alan Parsons Project’s ‘Eve’ arrived on August 27, 1979 with a life-changing – or, at the very least, an ear drum-rearranging – instrumental.
Tad Robinson has made a filler-free quality soul-blues record that faithfully follows in the stellar tradition of Hill, Bland and Little Milton.
To paraphrase Paul Simon, these are songs of miracle and wonder. Decades after its August 25, 1986 release, however, ‘Graceland’ still sparks controversy.
Bruce Springsteen’s ‘Born to Run,’ released on Aug. 25, 1975, is dotted with career-making, warhorse tracks. But what of its lesser-heard songs?
The way trumpet ace Joe Magnarelli’s band members interact each other so well makes ‘Three On Two’ a gratifying way to experience mainstream jazz.
Paul McCartney has been on a creative tear of late. But first he had to dispense with the overproduced dud ‘Press to Play,’ released on Aug. 25, 1986.
If there’s one word to ‘Win Hands Down,’ and Armored Saint in general, it’s consistency. You know what you’re going to get, and you get it every time.