Glass Hammer is promising a house party of a prog-rock record, having invited over a number of old friends and a slew of new ones. Meanwhile, we get an expanded overview of Carl Palmer’s lengthy career — and not just the goodies from his tenures in Emerson Lake and Palmer and in Asia, either.
Post Tagged with: "New Music Monday"
There may have been a lineup change with Drive-By Truckers, but they’ve lost none of the momentum that makes them one of the best rock bands operating today. Robben Ford, meanwhile, follows up a well-received covers album with one focusing on originals — all recorded on a single, sizzling day in Nashville.
Neneh Cherry and Jeremy Spencer, the co-founding Fleetwood Mac slide guitarist, offer albums that push hard at the edges of their own recorded legacies — while Joe Louis Walker, who’s finally getting his just rewards, settles into a well-deserved familiarity on his newest album.
Neil Finn and Dianne Reeves return with rare studio efforts, while Band of Horses strips their sound bare in a nervy acoustic performance.
You perhaps knew, listening to blues-scalded moments like 1969′s “I’m a Mover,” that Paul Rodgers had a great — a truly great — R&B record in him. But nothing, not even that old Free side, will prepare you for the outsized joys surrounding his new Royal Sessions.
Mogwai, those hipster post-rockers, could probably issue just about anything (really, they kinda did with Hardcore Will Never Die, But You Will three years ago) and it would sell. This time, they have something actually worth buying.
Bruce Springsteen’s new album isn’t exactly new, though the trumped-up “controversy” over his including remakes, covers and (gulp!) Tom Morello certainly is. We run right at all of it.
As the year that is becomes the year that was, it’s perhaps to be expected that retrospective items would move to the fore — and this week, we’re loaded down.
Fans get an opportunity to explore intimate, revealing live music from both Neil Young and Jellyfish this week, though the sessions took place decades apart.
Boston is back for one of its rare forays into new music. Only, this time — despite the typical years-long wait — Tom Scholz included some polished up previously released stuff, as well.