Blues Brothers 2000, the belated sequel to 1980′s blockbuster Blues Brothers, wouldn’t be as heralded as the first — and that’s in no small way because original star John Belushi was gone. Yet, Steve Cropper might just have better memories the second time around.
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The decades have changed everything about this song. Once a paean, at least for me, of youth-bound angst — about dreams deferred for the drudgery (the tragedy!) of homework — it’s now shot through with real regret.
Alternative Movie Posters: Film Art from the Underground, edited by Matthew Chojnacki, highlights some of the best millennial poster art inspired by classic films.
Getting the old gang back together after more than decade to record a studio album was one thing for Deep Purple. The true test of the Mark II edition’s newfound musical camaraderie would be found on the concert trail.
Vampires have admittedly had a bad run as of late, with the original mythology of these creatures of the night having sunken into downright pathetic territory.
“Sex on the screen should be suspenseful,” Alfred Hitchcock told François Truffaut. “If sex is too blatant or obvious, there’s no suspense.
Bryan Ferry’s witty combining of art-rock musical constructions, post-modern lyrical detachment and Sinatra-esque couture can be subsumed at times by his unfocused career choices.
A long-awaited artifact, Live in Athens 1987 corrects the period-piece wrongs of Peter Gabriel’s original film from the So tour — eliminating the edited-in backstage footage that slowed 1990′s P.O.V.
As I started to think about what I wanted to say about the retirement of Hayao Miyazaki, my mind fell rather clumsily on the disputed quote said to about Alexander the Great about having “no more worlds to conquer.”
Good Ol’ Freda director Ryan White’s documentary about the Beatles’ loyal secretary Freda Kelly, has been a big hit at film festival screenings for the last few months.