The new documentary ‘Very Extremely Dangerous,’ it’s clear, set out to uncover something redemptive in Jerry McGill. It’s not there.
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The majesty of Jeff Beck at his best isn’t just his technical prowess. It’s how he charges through boundaries like a paper pre-game banner.
‘Head’ found the Monkees breaking away forever from the tightly scripted structure of a television show that had hurtled them to fame.
David Paich, Robbie Krieger discuss rock’s impact on the fall of Communism: ‘The only reason we got through’
David Paich and Robbie Krieger trace the history of the Berlin Wall and its ultimate demise through the lens of music.
Neither seemed all that interested in ‘The Last Waltz.’ But their performances are the heart and soul of the film.
‘Live in Memphis’ makes the case for Big Star’s inclusion of two Seattle interlopers, showing how they grew as a band into the ’90s.
The rockabilly punk of “Rip This Joint” provides an early glimpse into how Ron Wood would fit in with the Rolling Stones.
Steve Cropper grew up around the sounds he was asked to play during a memorable ‘Blues Brothers’ segment at a country bar. That wasn’t the issue.
A pessimist’s anthem for any era, Leonard Cohen’s “Everybody Knows” never loses its blunt force wisdom.
Mick Jagger’s take on “Waiting on a Friend,” from the Rolling Stones’ newly issued ‘Hampton Coliseum – Live In 1981,’ becomes a character study.