Neither seemed all that interested in ‘The Last Waltz.’ But their performances are the heart and soul of the film.
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‘Live in Memphis’ makes the case for Big Star’s inclusion of two Seattle interlopers, showing how they grew as a band into the ’90s.
The rockabilly punk of “Rip This Joint” provides an early glimpse into how Ron Wood would fit in with the Rolling Stones.
Steve Cropper grew up around the sounds he was asked to play during a memorable ‘Blues Brothers’ segment at a country bar. That wasn’t the issue.
A pessimist’s anthem for any era, Leonard Cohen’s “Everybody Knows” never loses its blunt force wisdom.
Mick Jagger’s take on “Waiting on a Friend,” from the Rolling Stones’ newly issued ‘Hampton Coliseum – Live In 1981,’ becomes a character study.
A recommended entry point for anyone who came to Genesis via the MTV era hits, and is now curious about what came before.
Mike Tiano discusses a film sub-genre where everything is not as it seems.
This isn’t just another evening of string-laden songcraft from Deep Purple; it’s a big-bang moment for the group’s next era.
As we all know, the Devil gets the best tunes — and scripts.