Tired of waiting on Peter Gabriel’s first new album of material since 2002′s Up? Here’s a chance to sample a brand-new song from the brand-new solo Rock and Roll Hall of Famer.
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For all of the fame the Blues Brothers franchise belatedly afforded Steve Cropper, he says the original 1980 film actually had several scenes cut that would have showcased Cropper and his pipe-smoking, bass-playing bandmate in Booker T. and the MGs, Donald “Duck” Dunn.
Don’t be fooled by the inclusion of several Queen songs. The Candelight Concerts: Live at Montreux isn’t another reiteration of the band’s legend from Brian May. Instead, the addition of singer Kerry Ellis takes those songs — as well as a well-judged collection of offbeat companion pieces — in entirely new directions.
Donald Fagen, Michael McDonald and Boz Scaggs brought a tractor-trailer’s worth of hits — both as solo artists and with Steely Dan and the Doobie Brothers, respectively — to this setlist. More important, however, was their simpatico sense of musical camaraderie.
The concert featured in this newly released film took place in the year after what looks to be the final appearance of Emerson Lake and Palmer. Still, it’s clear that Carl Palmer had much more to add, as Decade — over the course of 12 tracks captured live on October 16, 2011 — reexamines, reshapes and ultimately reenergizes the ELPRead More
For Steve Latshaw, directing Return of the Killer Shrews was a labor of love. Make that a lifetime’s labor of love.
This homage to The Killer Shrews, one of the cheesiest 1950s horror films does more than recycle the plot with newfangled CGI effects. It updates the storyline to feature a reality show crew on a remote island
Martin Scorcese’s newest film, The Wolf of Wall Street, features the director’s usual assortment of delectable oldies — but the best moment maybe belong to a new song. Or, really, a new version of an old song.
Adrian Maben’s first pitch for a concert film involving Pink Floyd was met with bemused silence. His second pitch would grow out of a vacation mishap.
It seems that in the early seventies, many of the notable jazz musicians of the sixties went electric and dabbled in fusion.