In 1995, she was trudging herself across a desert and screaming out an angst-ridden tune that was possibly about the dude from “Full House.” My teenaged-self went into overdrive at this Alanis Morissette

You see Miles Davis’ age, you sense it, in his fingers. Otherwise remarkably well preserved on this date, just months before his death, the legendary trumpeter certainly looks the part — from the technicolor jacket to the red horn

Deep Purple has become, since it was first issued as part of 1972′s Machine Head, inextricably linked to the song “Smoke on the Water.” To think the track almost didn’t make the final running order for the project.

It figures, amidst the 1980s’ buttoned-down conservatism, that the ’50s would become talismanic — and that the Stray Cats would be such big hitmakers. Yet, a new Eagle Rock concert DVD makes it clear there’s still something to be learned from those rockabilly-loving post punks.

His sound is so crystalline, so special, that Carlos Santana remains recognizable with or without pictures.

Improperly named, the Average White Band was anything but. First off, one of the rhythm guys, at least by this point, wasn’t white. Second, and this is far more important, they funked it up with a vigor and style that would never be confused with average.

Canned Heat, the doomed boogie-blues revivalists, only made a lone appearance at the legendary Montreux Jazz Festival. Yet they still managed some star-crossed magic.

Rockpile (maybe the first neoclassicist rockers?) opened the door for every throwback moment of the coming decade — not to mention new wave. Yet this late 1970s-era rockabillying power-pop supergroup came and went so quickly, they rarely get their due.

“Live at Montreux,” which focuses on tunes from Wayne Shorter’s then-new album “High Life,” might have been just another night in a lifetime of concert dates — if not for the former Miles Davis sideman’s still prodigious, almost hypnotic ability on the sax. That, and some bonus cuts from Montreux performances by Shorter in 1991-92, courtesy of Eagle Rock Entertainment [...]

NICK DERISO: Featuring the classic arrangements of seminal Davis mentor Gil Evans, “Montreux” includes long-awaited live runthroughs of key selections from their collaborations — including “Boplicity” from “Birth of the Cool” as well as several cuts from “Miles Ahead,” “Porgy and Bess” and “Sketches of Spain.” On “Miles and Quincy,” we find a bright, sometimes rip-roaring backing band conducted by [...]