That burly baritone sax, it can be an abrasive sound maker, but in the right hands it can be this warm, inviting sonority.
Post Tagged with: "Matt Wilson"
Toronto saxophonist Pete Mills takes to his debut on Cellar Live Records with polish and swing. Together with Pete McCann (guitars), Erik Augis (piano), Martin Wind (bass), and Matt Wilson (drums), he puts together a record that is both traditional and exuberantly modern.
The thing about Matt Wilson isn’t that he leads a band from behind a drum kit…shoot, man, that’s been done at least since Chick Webb in the 1930s.
A love letter to classic Italian music, Bella Napoli features an unlikely pairing and a lot of flavor. The recording from baritone saxophonist Gary Smulyan and singer Dominic Chianese is an interesting blend
Maybe September, Ken Peplowski’s third outing for Capri Records, delivers the clarinetist and saxophonist in high form as expected.
Trigonometry, the third album by alto saxophone rising star Jacám Manricks, was a stellar post-bop set. It was just the kind of record you’d expect with a guy of his experience, education and raw talent
Last year’s Opening made me a believer in the trumpet wizardry of one Carol Morgan, who blazed through a set of originals and standards in a small combo without a piano. Her brand new follow-up Blue Glass Music follows the same formula, with perhaps a bit more emphasis on the standards. She also has a full time foil this timeRead More
Being from the town of Tulsa, Oklahoma, Falkner Evans might be a jazz pianist, but he’s travelled through other styles of music before settling there permanently, even served as a member of country swing band Asleep At The Wheel in the early 80’s. Since around the turn of the millennium, he’s led his own jazz trio with Matt Wilson onRead More
In 2008, then-21 year old tenor saxophonist Noah Preminger issued his debut CD Dry Bridge Road, one that made much of an impression. Fresh out of the New England Conservatory, Dry Bridge Road racked up recognition from publications like Jazztimes, Jazz Review and the Village Voice, where it won the Jazz Critics’ Poll Best Debut Of The Year. Now twenty-four,Read More
by S. Victor Aaron There’s jazz and and there’s whack jazz, that label I assign to jazz that is unrestrained, unconventional and sometimes, rude. The kind of jazz that you wouldn’t play at any party, but boy, they sure are fun to listen to when you’re really engaged to the music. The practitioners of this most misunderstood of art formsRead More