A new horn section, deeper experimentation and the presence of Robert Wyatt make this a significant progression from Mary Halvorson’s poetry debut.

There might not be a better vehicle for the genius of Anthony Braxton than Anthony Braxton himself, but in tackling a few choice selections of his material, Thumbscrew revealed further facets of his ingenuity just in how they use those compositions to take his vision to new places.

Nate Wooley finds insight for his music from a glacial landscape and, like its namesake, his own ‘Columbia Icefield’ is far out and expansive.

Here is S. Victor Aaron’s Best of 2018 list for modern and mainstream jazz releases.

The upheaval seen in Washington and elsewhere since 2016 has amped up the political awareness of a lot of people, and Dave Douglas is no exception.

The all-originals ‘Ours’ and all-covers ‘Theirs’ are both bulls eyes from Thumbscrew and a strong way to persuade the quality label Cuneiform to not give up the fight.

The term “code girl” came randomly out of the mouth of Halvorson’s primary mentor Anthony Braxton but it could have easily been directed at Halvorson herself

Here’s the part of the annual Best of 2017 lists that’s the most fun to pull together.

‘Err Guitar’ by Elliott Sharp, Mary Halvorson and Marc Ribot is three masters of the outside guitar pushing each other to go even further out, making this a notably delirious entry in the catalogs of all three.

A mere two months following yet another highly thought-of ensemble record, guitarist/composer Mary Halvorson has returned.