Marty Stuart calls his backing band the Fabulous Superlatives – and, the thing is, they live up to his claim on every tune.

You’d probably assume that 1981’s The Baron, produced by countrypolitan pioneer Billy Sherrill, would do little to suggest where Johnny Cash would end up a little over a decade later with the American Recordings series. You May Also Like: How Johnny Cash Challenged Convention Once Again on ‘American Recordings’ TomRead More