Post Tagged with: "Maria Neckam"

Dan Weiss – Fourteen (2014)

Fourteen (March 25, 2014, Pi Recordings) isn’t Dan Weiss’s fourteenth record (it’s his fifth), nor is it the number of tracks on the album, nor does it pertain to the year it’s out (as in “’14”).

S. Victor Aaron’s Top Albums for 2012, Part 3 of 4: Whack Jazz

<<< Part Two, Mainstream and Modern Jazz ||| Part 4, Fusion Jazz >>> In continuing with a long-held tradition, I’ve parsed out the jazz that goes avant-garde from the more conventional stuff.

One Track Mind: Maria Neckam, “I Miss You” (2012)

One Track Mind: Maria Neckam, “I Miss You” (2012)

When both (Something Else! cohort) S. Victor Aaron and myself have a hard time defining a singer’s style, that can only mean one thing: there’s a lot going on in that voice. True enough, my review of her 2010 album Deeper and Vic’s take on 2012’s Unison both contained an unusual amount of name-checking.

S. Victor Aaron’s Half-Year List of Top Albums for 2012, Part 3 of 4: Whack Jazz

If you happened to peruse the Half-Year List of Top Albums for 2012 for Modern and Mainstream Jazz before this list and you’ve been keeping up with the latest jazz releases, you might have wondered, “Where’s that new Matthew Shipp?”

Maria Neckam – Unison (2012)

At times, jazz vocalist Maria Neckam’s music sounds like Joni Mitchell during her mid-70s jazz excursion but with a Annette Peacock stream-of-conscienceness flow and Bjork-like modern sensibility, delivered with pipes as pure as Suzanne Vega.

Mark Saleski’s Jazz Favorites for 2010

What kind of a year was it for music? It was so good that very often, I had a tough time figuring out what to listen to next. The proper cliché to be applied is “an embarrassment of riches.” Not only was it a great year for music, it was a great year for writing about it. I had anRead More

Maria Neckam – Deeper (2010)

Maria Neckam – Deeper (2010)

by Mark Saleski One way to define a categorical number line of female jazz vocalists would be to put artists like Ella Fitzgerald (full of insistent smolder, fire & brimstone) at one end, and balance that with voices of pure subtlety at the other — Billie Holiday, Shirley Horn, and maybe even Norah Jones. This construct is unsatisfying, partially becauseRead More