Post Tagged with: "Marcus Miller"

Steely Dan Sunday, Best Bass Performances

Steely Dan Sunday, Best Bass Performances

Here are Steely Dan’s five best bass performances, selected in tandem by our panel of Steely Dan authorities.

Gimme Five: 1980s smooth jazz albums that don’t, you know, suck

How do you react when you hear or read the term “smooth jazz”? Does it conjure up visions of Kenny G flittering up and down scales as he’s swaying with his long, curly locks tousling about and holding his straight sax off to the side of his mouth?

S. Victor Aaron’s Top Albums for 2012, Part 4 of 4: Fusion Jazz

<<< Part Three, Whack Jazz In the final piece of these exhaustive, four-part salutes to the top releases of 2012, the fusion jazz records are surveyed.

Lee Ritenour – Rhythm Sessions (2012)

“I love making albums!” declared super session guitar player Lee Ritenour, and he continues: “For me, creating a new project from beginning to end, is one of the most musically and spiritually rewarding things that I do in my life.”

Steely Dan Sunday: “The Nightfly” (1982)

Steely Dan Sunday: “The Nightfly” (1982)

This tale of a melancholy late-night radio show host from Steely Dan’s Donald Fagen belies what’s going on with the music behind it.

'Miles really affected me': Marcus Miller talks about Davis' towering influence

Bassist Marcus Miller’s newest release, Renaissance, directly references his time as a member of the Miles Davis band in the 1980s

Marcus Miller – Renaissance (2012)

A couple of years ago when bassist/composer/bandleader Marcus Miller revisited Miles Davis’ Tutu, a late-period Miles album that was essentially a Marcus Miller album with Miles as the primary lead voice, Miller was revisiting himself, too.

Gimme Five: Underrated examples of when jazz guys got funky

A look at five jazz albums with grooves in the pocket — even if they weren’t much in the press.

Stanley Clarke, Marcus Miller and Victor Wooten – Thunder (2008)

I know what you’re thinking – three basses … another Spinal Tap opus? Nope, sorry. If it’s not Spinal Tap, then next to the drum solo, the bass solo is just about the most reviled thing at concerts

Saxophonist David Sanborn: Gimme Five

Saxophonist David Sanborn: Gimme Five

Often situated in a cloud of opaque neo-funk, David Sanborn’s talents can be understandably obscured. Yet, there’s no mistaking, or escaping, that tone.