Robert Lamm’s “Something’s Coming, I Know” isn’t about taking risks. Instead, it settles for being this Chicago album’s most effortlessly joyous moment.

My parents advised me growing up that if I can’t say something nice, I shouldn’t say anything at all.

Usually, “Sing, Sing, Sing” is played in a show-off arrangement to spotlight how fast a group can play together, but Chicago takes a different approach.

This track is different spin on an old warhorse – and for that, I gave Chicago some credit.

Chicago’s “This Time” is a statement of hope for the future, a hope that was sadly snuffed out on Jan. 23, 1978.

At times, it felt like subtraction by addition when Rhino re-released Chicago’s catalog with bonus tracks. “Sixth Sense” was one of the exceptions.

Combining a catchy melody, a good story, amazing brass and prominent percussion, Chicago’s “Call on Me” is a purely enjoyable listen.

Musically, Chicago’s “Song of the Evergreens” is brilliant. Where the disconnect occurs are the vocals.

“Let It Snow” closes with one of the famed Chicago horn section’s 10 best moments. When listening in my car, I always play it a second time.

Chicago has announced a title, offered additional samples of its new music and revealed the cover art for its first album in eight years. Featuring 11 original tracks, Chicago XXXVI: Now finds the band in the midst of an entirely new way of creating. You May Also Like: Chicago, “ItRead More